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I'd actually think the GX7 is a better candidate for that.I will be buying a GH4 but needed something that I would be comfortable to use when on vacation with portability for snap shots and video and something that I could potentially use as a portable B-Cam.
The GX7 would not be a serious A camera for anyone doing video. The limited video I have shot looks very good, but you are left using the internal codec which of course does not lend itself well to grading later. It's a very versatile camera with a small footprint.
To get decent audio out of a GH3 or a GH4 or G6 you are at the very least going to need a juiced link or an external recorder or with the GH4 you could purchase the YAGH....all of these solutions kind of kill the portability aspect.
See, people always jump to the conclusion that a small camera can't have good audio. Meanwhile, the GH2's preamps were shown to be as clean as an HMC150's and actually had very solid audio performance if you didn't mind the lack of monitoring and a non-standard sized input jack.
I'd actually think the GX7 is a better candidate for that.
I don't know, the codec has been improved a lot from the stock GH2 and GH1, and miles ahead of most Canon DSLRs. Its not the best super-high bitrate in the biz, but plenty of people use them as a "serious A camera [for] doing video". So, chalk that one up as your personal opinion I guess.
/begin rant.
See, people always jump to the conclusion that a small camera can't have good audio. Meanwhile, the GH2's preamps were shown to be as clean as an HMC150's and actually had very solid audio performance if you didn't mind the lack of monitoring and a non-standard sized input jack. I used to split the audio coming in from my mic to go to the camera and a Tascam recorder, and I was surprised to find that 90% of the time I didn't really need the Tascam- the internally recorded audio was nearly indiscernible. For run-and-gun man on the street interviews (where I don't necessarily have the ability to monitor audio anyway), I have often fed a line directly into the GH2 and used it as is. I find that many of the people who think a little cam like that can't have usable audio simply haven't tried it!
I've said this before, but I think its worth saying again: When filming a narrative film in which sound is critical, I wouldn't record into a camera either way. You hire a sound guy, whose job it is to just concentrate on the audio and adjust his own levels, etc. Anything that I've encountered in which I'd traditionally want recording into the camera (corporate, etc) has worked just fine feeding directly in my GH cams.
Now, that being said, the GH3 was a massive step up with the inclusion of an audio monitoring system. That alone was enough reason for some people to switch! I don't know what the deal is with the G6 as I haven't gotten mine yet, but if its at least as good as the GH2, I think it will serve audio quite well for most situations. The GH4 is supposed to be a more pro-level cinema camera than the GH3 supposedly (considered a replacement for the AF100, I think), so while that fancy breakout box gives you the necessary XLR inputs, I think feeding a 3.5mm mic (such as wireless lav system, etc) directly into the body will be more than just decent!
/end rant
/begin rant.
/end rant
True, I had no problems getting great audio from the GH3 using a AA powered shotgun mic and Im confident the GH4 will deliver as well.
In 99.9% of the cases when people complain about audio they have the mic on the camera or just to far away from the subject.