"Coyote" HD Trailer Up

wow... that was great. I'm really looking forward to seeing the whole thing. Do you have a list on lenses used? I know you have them on the site, but I'm curious as to which series you used?
 
We used the following lenses on our system:

* Nikon 28mm 1:2
* Nikon 50mm 1:1.4
* Nikon 105mm 1:1.8

You can read all about the process and the system we used on the filmmakers blog section on the website.

Glad you like it!
 
opps. sorry. Didn't read your post fully. I'm not the best as knowing what series lenses these are. I got them off ebay... here's the lenses serial numbers:


* Nikon 28mm 1:2 - 343344
* Nikon 50mm 1:1.4 - 2899381
* Nikon 105mm 1:1.8 - 181984

I know those serials can get you the info you want, but I don't really know where to look.
 
Brian Petersen said:
opps. sorry. Didn't read your post fully. I'm not the best as knowing what series lenses these are. I got them off ebay... here's the lenses serial numbers:


* Nikon 28mm 1:2 - 343344
* Nikon 50mm 1:1.4 - 2899381
* Nikon 105mm 1:1.8 - 181984

I know those serials can get you the info you want, but I don't really know where to look.
Click to expand...

perfect, thanks
 
Brian,

Great looking stuff there. You used precisely the same workflow we use on our P2 shoots. Can you talk a little bit about how you colored the picture? Was it done scene by scene and using what FCP tools.

It has a terrific, consistent look - that's why I'm asking. Also, the talent in this picture looks like real people who also happen to be very convincing actors. A word or two on your casting process and how you managed to keep this from looking like a bunch of college buddies out in the desert?

"A-level" work on a shoestring, that's the stuff we're always looking for.

e
 
overlandfilms said:
Brian,

Great looking stuff there. You used precisely the same workflow we use on our P2 shoots. Can you talk a little bit about how you colored the picture? Was it done scene by scene and using what FCP tools.

It has a terrific, consistent look - that's why I'm asking. Also, the talent in this picture looks like real people who also happen to be very convincing actors. A word or two on your casting process and how you managed to keep this from looking like a bunch of college buddies out in the desert?

"A-level" work on a shoestring, that's the stuff we're always looking for.

e
Click to expand...
I second that and add a WOW!
 
Hi guys,

Thanks for the great comments!

We did our temp color correction in FCP, but in the end we did go to a post house and did our color on a more pro system. We used "SCRATCH" for our color correction. It only accepts DPX or CINEON files so this is what we had to do. We Exported an Uncompressed TIFF sequence of the entire movie and gave that to them. They converted the TIFFS to DPX files and put them in their system. Then we gave then an EDL and then we colored. After the process was complete they were able to give us an uncompressed Quicktime of the whole project that. We also have the DPX sequence on a drive for possible film out in the future. I think Scratch may be able to deal with Quicktime natively now so you may not need to do the image sequence. Don't know for sure. I don't know everything about the process.
 
Very clean imagery and a seems to be a professionally directed piece. I like the colour scheme for the trailer.... well shot.

Cheers,
 
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