"Corrado" - A production blog

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So I'm in the process of selecting a composer for the film. As you all know good music is crucial to making a movie work.

It's been my desire to create a scene in one of my movies that is entirely choreographed to a song. A big song, like one we all know - as in get the rights for the song. I didn't have the money to do that on Corrado, but I'll do it on the next film for sure.

What I am getting at is in that scenario, you have picked some of the music before you start shooting....

What I am doing now is trying to hire a composer to score the entire movie. I am close to picture lock and it is now time to start investigating this avenue.

Oddly, I get most of my cold calls from composers. I don't know why, but my mailbox is always flooded with demo CDs and I ceaselessly get calls from them. I've listened to most every CD I've been sent....some I hated, some I liked, some I loved.

I am trying hard to avoid an orchestral score for Corrado. This is not an epic film. I like a bit of synth with rock...kind of like Evanescence - but not totally.

So as I received demos I started logging all of them and finally came down to a list of two guys that I felt had:

1. The right attitude
2. Saw my vision
3. Had the music I was looking for
4. had extensive feature film credits

Their quotes are within a few bucks of each other as well. What they are doing for me now is called a demo.

I picked a 1:50 TRT scene and sent it to them with some basic notes on what I was looking for, and what the scene was about.

The scene I sent them is challenging since there is a mood shift right in the middle of it, and the music must reflect that. The scene goes from tense....to despair....to rapid action all in said 1:54 so I figure it will be a good test for the composers. It's also extra hard for them because they get a scene right out of the middle of a movie they haven't seen. That minute 54 is all they've seen of the entire film so they must be able to grasp the mood of it.

So they will do a demo score to that scene, and in a couple days I'll watch them both and make a decision. It will probably be tough with the level of talent I am dealing with, but oh well.
 
Haha! I didn't post the link in an attempt to prove anything. I'm not out to get you.




Naw, man - the Corrado buzz machine is alive and well. I'm not pinning the number of views on this thread to some random search engine - especially after Luis looked into it already.

That's weak, really weak.

In any case, I'm very happy that so many are deriving so much from this thread. It has exceeded my wildest expectations.

Thank you all!
 
i have obsessive compulsive disorder and i HAD to view this page 1000 times today. sry for the confusion.
 
Man on Fire

Man on Fire

We have two black and white sequences that I want really tweaked - they are flashbacks. Also the whole movie should have a really desaturated look - think "Man on fire" by Tony Scott.

If I remember correctly, much of the look to "Man on Fire" was done by either using or simulating a "bleach bypass" a.k.a. "skip bleach" process.

Looking that up might give you some more examples of where you want to go with the look of your film. Every colorist I've worked with is quit happy to have reference material to look at it. Anything you like: other films, photos, old paintings... whatever.
 
luis, godammit, why arent you coming to LA?
Not to hijack this thread...but...

Trust me, I'd LOVE to be there - but I have a shoot on Sunday and it just seems too damn irresponsible to fly back Saturday leaving myself barely any time to prep gear.Most of my stuff has been out until recently on a rental, and I need to double check it all, etc and prep for the shoot.
Plus of course there are the monetary considerations.

I already regret not going - but if this happens for the next fest I will definitely be there.
With some notice I'll be able to schedule work around it (assuming I have work to worry about).
:)
 
I'm another one of those guys who found this thread by accident today, and couldn't stop until I finished. Except I took breaks for some important business stuff, eat food, watch Last Comic Standing etc....

Anyway THANK YOU. It's been fascinating, and like many others said, it reminds me of the time I read Rebel Without a Crew, which I read over the course of a single 24 hour day.

I've been self employed for 9 years, and similar to you, I plan to break into film. I also have a wife and two kids (teenagers). Being self employed does offer some flexibility, and some perspective on "managing" the business side of film making. I work as a software developer, not sales, but all self employed people have to have some sales skills. At this point in my life, I'm much more of a people person and I'm so ready get away from computers. Last year I acted in 5 films (not paid, but I do have an agent now) and I did a student short this spring, but then I had to focus on my day job for several months to pay the bills. I am producing/writing/directing/editing my own short this fall, and I've already finished the script. I've read 6 or 7 books on screenwriting alone over the past 15 years, and in the last 2 years I've read about a dozen books on all aspects of film making (The Five C's of Cinematography, DV Expert series, and many more), plus tons of posts on dvxuser and other sites. Not to mention all my acting classes and acting books I've read (another 5 or 6 books).

Anyway, time to stop reading. Production starts in September.

Great thread! Highly motivating with lots of practical advice. Thanks again.

Dan
 
I just got to this and wow, what a read. The highs, the lows. I'm tired now... Congrats on finishing shooting this piece and hope to see it some day regardless of distrib or not.

Peace
Aram
 
Dude - is your name really Aram??????


That's my father-in-law's name. It's just so rare I had hardly ever heard of it. Thanks for the kind words!!!!!
 
Yeah, I think I met one other guy with that name my whole life. I wound up with nick names my whole life growing up since people seem to mess up the name with rob, ron, rom...
Thanks for putting yourself out there. It was a great informational read. I will be referring to this thread as needed.
 
It was really good to meet a bunch of you last night at Luis's house!

Congrats to Mark Johnson, Tim Hyten, and Luis Sinibaldi on their time fest winner, O2!!!!!

How ya feeling today, Tim??? :grin:
 
sorry i missed you. didn't get there until 12:30am. here's a shot i took of tim around 3:30am.

1215862189.jpg
 
Luis subscribes to HD Video Pro Magazine, and I loaned me his copy at the party. I was shocked to see myself in print - I knew about the whole thing of course but it's still amazing when someone hands you a real magazine and you're in it, larger than life.

The mag is bi-monthly so I guess I will be in it for the next 6 months!!!! Half a year of publicity. Amazing - thanks Dan again!

You guys ought to check out the hard copy (Support the mag!). Here are the first two pages.
 

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