Yesterday my GF2s arrived and was screwing around with one with each of the lenses I have accumulated. Those are the Panasonic 14mm, 20mm, 14-140 and a Zeiss Planar 50mm f1.8.
I set up a tripod in here where I am lit by 6 CFL bulbs which typically WB around the 2500K range. I set the GF2 to IA and ran through the lenses, switching each out with the body left on the tripod.
Of all the lenses, surprisingly the 14-140 rendered the colors and light closet to what I saw sitting here. Like the others it was wide open at 14mm and f4 (unless I'm assbackwards on the aperture).
Being really new at interchangeable lenses, I didn't give any thought to aperture until I noticed the Zeiss was ticked to f2.8 when I first began and then redid that shot ticked to f1.7 which brightened it up. At f2.8 it actually rendered colors closer again, to what I was seeing.
So are you using these and how are you matching the output to reality if you are experiencing what I see in this clip ??? Is there some way to dial back the 14 or 20 to "darken" it up a tad, so I don't run into overexposure ???
My goal is to be using manned and unmanned cams together in some shoots. What I see in this clip though just wouldn't fly for combining footage.
Thanks for your input.
I set up a tripod in here where I am lit by 6 CFL bulbs which typically WB around the 2500K range. I set the GF2 to IA and ran through the lenses, switching each out with the body left on the tripod.
Of all the lenses, surprisingly the 14-140 rendered the colors and light closet to what I saw sitting here. Like the others it was wide open at 14mm and f4 (unless I'm assbackwards on the aperture).
Being really new at interchangeable lenses, I didn't give any thought to aperture until I noticed the Zeiss was ticked to f2.8 when I first began and then redid that shot ticked to f1.7 which brightened it up. At f2.8 it actually rendered colors closer again, to what I was seeing.
So are you using these and how are you matching the output to reality if you are experiencing what I see in this clip ??? Is there some way to dial back the 14 or 20 to "darken" it up a tad, so I don't run into overexposure ???
My goal is to be using manned and unmanned cams together in some shoots. What I see in this clip though just wouldn't fly for combining footage.
Thanks for your input.