Shot a week last year, and completed shooting this year.
Here are a couple jpegs that originated as 10 bit 422 SLog files from the F3 via a Ki Pro mini.
Images were pristine. 700 clips, no corruptions.
Heat, rain, travel, no issues.
I really wanted to see what I could do with a 10 bit S-Log image knowing I captured the widest range possible as far as exposure is concerned. Also, it's my way of communicating with a colorist. I did a pretty extensive grade in Photoshop.