Prairieboy
Veteran
Hey Folks
This is part of a meassage of mine in another thread that I just wanted to know how people here thought of. I am very curious how others feel of this processes increasing importance to filmaking.
A trend lately that I am not sure how I feel about is colour grading. I was blown away by Amilie, but after watching the DVD features and seeing the raw images, and how it was graded I believe that the timer/grader was much more valuable than the DOP. The exact same thing goes for the LOTR. I think the finished product looks great. But once again the raw images that are shown on the extras look washed out and rather flat. Although they were probably pulled from the edit suite and the images are not at their finest.
I am sounding old (and I am not) but I am worried that the art of cinematography is going to be lost due to grading. It is relied on too much. Much the same way that the Yoda puppet looks so much better that the damn digital one ( sorry it just drives me crazy).
Now the technology looks great. It has made some films be put in anybodys top ten list. But the credit has to go to where it is deserved. To a fellow, or gal in a nice cozy room infront of a computer, not by some one set who has to make a decision about filtration, or ratios while a crew of a hundred wait on their every move.
Alright that was my rant to start off the year. Like I said, I think colour grading looks great, but it is not necessarily great cinematography.
This is part of a meassage of mine in another thread that I just wanted to know how people here thought of. I am very curious how others feel of this processes increasing importance to filmaking.
A trend lately that I am not sure how I feel about is colour grading. I was blown away by Amilie, but after watching the DVD features and seeing the raw images, and how it was graded I believe that the timer/grader was much more valuable than the DOP. The exact same thing goes for the LOTR. I think the finished product looks great. But once again the raw images that are shown on the extras look washed out and rather flat. Although they were probably pulled from the edit suite and the images are not at their finest.
I am sounding old (and I am not) but I am worried that the art of cinematography is going to be lost due to grading. It is relied on too much. Much the same way that the Yoda puppet looks so much better that the damn digital one ( sorry it just drives me crazy).
Now the technology looks great. It has made some films be put in anybodys top ten list. But the credit has to go to where it is deserved. To a fellow, or gal in a nice cozy room infront of a computer, not by some one set who has to make a decision about filtration, or ratios while a crew of a hundred wait on their every move.
Alright that was my rant to start off the year. Like I said, I think colour grading looks great, but it is not necessarily great cinematography.