Color Correction in FCP then delivering to client using AVID. Best workflow?

[Lkorver]

I'm shooting AVCHD from the AF100.
Transcoded to Prores 422 for the color correction.
The client says they can transcode the 422 into DNx in AVID.

I've read that the color may shift going from apple based codec to AVID. any way to preserve the color pallet?
thanks guys.

 

[Shane Ross]

If they use AMA to bring in the ProRes 422 footage, and then transcode to DNxHD, there will be no color shift.

 

[mr bill]

I would think any color correction you do will fall off when you switch from one nle to the other

 

[Shane Ross]

Well, it doesn't. I did it for a couple shows.

 

[mr bill]

How does avid read the color correction from fcp then?

 

[MichaelP]

They are baked into the files that are sent over to Avid.