CineMatch

Looks like with the Black Friday pricing their Nitrate upgrade from standard film convert is actually maybe worth it, $59.
 
Wow! Consider me SUPER impressed. Here's two similar shots from a film I'm working on at the moment, A-cam was the Sony F55, B-cam was the Fuji X-T3 on a gimbal (for just a couple of shots).

Matching the Fujis to Sony cameras is BRUTAL. I've shot colour charts with them both, and done some manual matching, and after a lot of work can get them close-enough (Davinci's Colour Transform tool is no good for the combo). But it's a lot of work.

Dropped Cinematch in, a couple of quick tweaks, and boom, we can slip the Fuji clips in without anyone noticing. I'm off to put down my hard-earned for it now.

Vv7HNUj.jpg


UP9CrQH.jpg
 
Grug said:
Wow! Consider me SUPER impressed. Here's two similar shots from a film I'm working on at the moment, A-cam was the Sony F55, B-cam was the Fuji X-T3 on a gimbal (for just a couple of shots).

Matching the Fujis to Sony cameras is BRUTAL. I've shot colour charts with them both, and done some manual matching, and after a lot of work can get them close-enough (Davinci's Colour Transform tool is no good for the combo). But it's a lot of work.

Dropped Cinematch in, a couple of quick tweaks, and boom, we can slip the Fuji clips in without anyone noticing. I'm off to put down my hard-earned for it now.

Vv7HNUj.jpg


UP9CrQH.jpg
Click to expand...

That is VERY impressive! Aside from the edge sharpness (much more pronounced on the XT4), those shots match impeccably.
 
That's a really good match. I had it match my Red One to my C200 and a BlackMagic Pocket 6K and it synced up the color just about perfectly. Money well spent!
 
Yeah I'm liking it. Not for matching cameras right now, but for changing the look to get BMD or Arri vibes from Panasonic footage. Nothing on a real project, just some tinkering on older footage. Cool. $149 is a no brainer, this will help in the future no doubt.
 
I'm currently editing a project that has c200, c500, r6, phantom 4, a7iii, fs5, and BM pocket cinema camera. Still need to see how much is log/raw but cinematch looks awesome.

Maybe we can feel more comfortable buying cross-brand cameras of different sizes?
 
rob norton said:
I'm currently editing a project that has c200, c500, r6, phantom 4, a7iii, fs5, and BM pocket cinema camera. Still need to see how much is log/raw but cinematch looks awesome.

Maybe we can feel more comfortable buying cross-brand cameras of different sizes?
Click to expand...

Sounds perfect for your use case - we're just about to add support for the Canon R5 and R6, and the C500 is high on our list to do.

Giving filmmakers the flexibility to choose the cameras they want to work with without worrying about image matching is exactly what we're hoping for, so can't wait to hear your thoughts!
 
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