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I feel like that might be a crappy Sony problem...knock on wood.
Yeah I just noticed. Thanks
I was just searching trying to figure out if it would be cheaper to get a c300MKll with cheaper cFast 2 cards than buying 3 CFexpress cards and the R5 and saw $479 as opposed to the $599 I keep seeing for 512gb cards.
I. Considering 2K is adequate resolution.
If it functions well, maybe this would be better if your work allows for breaks to offload.
It's the best value there is right now for money/capacity, especially if 4K will be mostly used.
https://www.bhphotovideo.com/c/prod...ces_dcfx1_2tb_2tb_cfexpress_power_memory.html
Two reviewers are using it with the 1DX Mark III (for video).
I personally don't want the physical shutter gone because on cameras like the R5 it pops closed when theres a lens change covering the sensor. I'm always really cautious when I do a lens change and having a little more protection from environmental debris, to me, is necessary.
I'm buying one 64GB CFexpress.
Because the reality of my situation is I will not be working with this camera any time soon. It's only for my own personal happiness while the world sadly crumbles.
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This r5 "review" is about stills but there's something particularly interesting there: she's been a Canon DSLR user for years, and states that her EF lenses work better adapted on the r5 than they do on her 5DIV. The AF tests with objects partially covering the subject are very interesting too.
https://www.youtube.com/watch?v=_byYwav5ccM
You can still have something built-in to cover the "sensor"(which is actually the OLPF and the sensor is behind that), but global shutter would allow full use of the electronic shutter, which allows completely silent shooting and higher frame rates, without the handicap of rolling shutter: skew and flash banding namely. In full electronic shutter mode, the R5 does not allow shooting/syncing with a flash and apparently there have already been samples posted of full electronic shutter shooting with fast moving objects and they are skewed.
Does that mean when you hit record you're recording in the changed movie size and frame rate. I see potential for forgetting and shooting.
It's automatic. You hit record and it goes to the correct settings. You stop and it switches back. So you would just have to remember that the live image that you're viewing before you start recording may not be what it's actually going to look like.
If somethings on the olpf its on the image, but I understand where you coming from and agree.