Building your own dslr cinema rig. Best Value DSLR Mattebox/FF/Batterypack?

Spending $600-$1,000 on a follow focus for a DSLR rig would be a waste. $100 FF will do the basic function of a more expensive one, money saved can be used for more important items such as lenses or lighting. Please stick to the budget outlined in my original post, thanks!
You seem to be pretty confident in your statements. Why ask for advise then? Just buy what´s offered in your given pricerange, which is not that much and easy to find through Google.
 
I have tried a few of the super cheap FF units- the Fotga DP500 II is in my opinion the best value out there- about $150 in the quick release version. It has hard stops and very little free play and I can get consistent focus pulls as long as I am using lenses that have a decent amount of throw.
 
I have tried a few of the super cheap FF units- the Fotga DP500 II is in my opinion the best value out there- about $150 in the quick release version. It has hard stops and very little free play [..]
I guess once you have used a more "professional" follow focus, you won't ever use one of these. I can't tell, as I'm using a similar one myself. I have very basic needs and so far, it suits them well.
But it's like learning to drive on a Hyundai and buying a Lexus as the second car: I doubt you'll ever get back to Hyundai after, even if it gets you from point A to point B.
 
My .02 -

My DSLR rig was purchased when the T2i came out, wanted to play with the footage and see what I thought. I use this rig constantly and have yet to upgrade it:

Loupe - to me it's the first, most essential piece of gear. I got a Cavision since it was the only for for the T2i at the time. Works fine, no diopter adjustment but not an issue for me with 3x mag. There's a loupe (Swivi VF or something) I got on Amazon for $140 (on my Nikon) that's just killer for the price. BUT... when you mount it, your tripod hole is off-center. There goes your matte box. I machined an aluminum block. I'm in Texas so the last thing I want is a glue-on magnet plate - hate those.

Rails & rail block - hybrided up several parts from Jag35. The problem with many cheap rail blocks is they flex from lens weight. That's a place to spend $100 or more. I got various parts so there are two risers to the camera plate to stop flexing. I also have a Fotga (amazon) rails system I use to shoulder mount my big video cam. It's damn good for about $60.

I cut a corner off my dslr plate with an angle grinder for battery access. Batteries are cheap and last a long time - you don't need external power if your block solution allows quick battery changes. Unless you're an event shooter, I don't see a compelling reason for external power - I get plenty of warning to pop in another ($20 amazon) battery that last 2+ hours.

D Focus - it really works quite well when you get it situated right. Bigger issue is SLR lenses - many of them will shift a bit when you move focus - they're not designed for motion. Plenty of focus gears on eBay. $160 or so at the time. Cheap FF units have gotten better I understand. I use spring clips for focus stops and I prefer them to "real" stops. I really prefer a cheap FF to no FF at all.

Cavision shoulder and front handle mounts - kind of plasticey feel, but they do the job. Maybe $150 for both??

Indian matte box, $299. This took some playing with - added adhesive velcro here & there so the flags don't rattle against each other - they're sorta strapped together now. 80% of shoots it's just the top flag though. Corners of flags needed grinding to seat better. Every shoot - you really gotta tighten everything up or your front flag can droop out of the blue. No issues with it, rotating holders, looks good too.

I started with tiffen/etc round ND filters and step up rings. Eventually got deals on 4x4's. Don't skimp on these. Round & used are easy to come by for now.

The only nagging issue with this rig is there's a stack of stuff - camera plate, loupe plate, camera body - and something always loosens up and you're seeing the edge of the matte box. I have to tighten everything the night before, and remember to tighten the main lock every 30 minutes or so to be safe. But until DSLRs get a fore & aft set of holes like a "real" video cam, bodies coming loose will be an issue since they can rotate.

So, I "did it" - built a cheap DSLR rig that's worked well enough that I haven't felt like upgrading anything. All of the above, excluding filters and lens gears - $700 or so? And it's worked fine for three years of paying gigs, even brutal handheld shoots of a staged "live" metal band thrashing around (and into me).

This year I'll likely upgrade the rail block as I'm likely going Nikon for DSLR video - eventually I'll look for a better FF. But man, got my money's worth!

rig.jpg
 
Last edited:
Would any old cheap matte box works or someone recommend a lens hood? I get flares that I'm not particularly found of at times
 
Back
Top