I REALLY liked it but had a few problems with it. The camerawork was too static and sometimes they'd just cut to random pretty junk in the wilderness for no reason. I think it was the New Yorker that wrote it looked like a bunch of postcards. It really did. Once they took the camera off the tripod, it really felt more visually alive to me. Still well shot.
You didn't know what to make of the cowboys' wives. Even though they're not the film's central focus and even though they're clearly victims, I felt their suffering was pushed to the side a bit, maybe unfairly.
Also, the stacatto pacing reminded me of Closer or something. I like that it took place over a long period of time, so I guess that's inevitable, but it made it a little less engrossing than it could have been.
But it's pretty good for sure.
You didn't know what to make of the cowboys' wives. Even though they're not the film's central focus and even though they're clearly victims, I felt their suffering was pushed to the side a bit, maybe unfairly.
Also, the stacatto pacing reminded me of Closer or something. I like that it took place over a long period of time, so I guess that's inevitable, but it made it a little less engrossing than it could have been.
But it's pretty good for sure.