I think Elle just confirmed they are sticking with the original CF card spec.
I don't think you can actually infer that at this point. Official word at this point (that I've seen) is that it's SD cards.
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I think Elle just confirmed they are sticking with the original CF card spec.
I don't think you can actually say that. Official word at this point (that I've seen) is that it's SD cards.
The the most recent specs posted on the DBolex site, which include the HDMI port update, still say CF.
Barry_Green said:... in Roswell New Mexico
Nothing like that. Working on this...Barry are you doing covert operations near Area 51 (again) or can you not really say?

Just all day? That's like the coolest thing I've seen in weeks (at least)!Okay, that is officially the coolest thing I've seen all day.
I don't know, the whole thing looks still a bit shady to me.
Frank
Well it's nice that Joe figured out that SD cards are s*%t. When is the rest of the motion picture world going to realize it?
Once they finish fixing the bent pins on their CF card slots?
You really have to be rough and careless with card insertion to bend pins.
Well it's nice that Joe figured out that SD cards are s*%t. When is the rest of the motion picture world going to realize it?
It's like Panasonic said, "Hey, you know what'll make the GH2 seem less flimsy? If we use paper-thin, mostly-hollow memory cards that make it look like an armored car in comparison!"
I think it's odd how the footage has captivated anybody? The specs on paper sound friggin fantastic and if that was the only way to judge a camera, I think I'd buy it day one. But if initial D16 footage in the previews given, is even a slight indicator of what it will end up like... it simply lacks the film-like, cinematic quality I think they're aiming for. On most cameras this is hardly an important feature... but it really seems like they're tackling it head on and want to produce a Bolex equivalent for digital filmmakers. They want to approximate if not in some way the genuine feel of 16mm. Aside from the fact that RAW is going to provide a massive advantage in many many ways... the aesthetic of the footage is not all that impressive. I think the GH2 along with other DSLRs and cameras for the same price or less produce far more "film-like" results.
Maybe I'm reading the situation wrong and people simply want a video camera that shoots raw and will gladly take their S16 lenses. Discounting the fact that the footage simply doesn't look cinematic... then this could be a great camera.