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Guest
Guest
Opion on why the Speed Editor is great for Cinematographers.
Ok, i’ve been using Davinci Resolve since 2016, primarily to look at footage. not to edit or colour too often, although i have delved into the colour tools quite a bit, i still don’t consider myself a true expert there. A big part of using Davinci was it being a more robust and affordable colouring option to analyze footage and play around with looks.
most of the time, i just want to scrub through shots i’ve done, grab a few selects, or maybe even a trouble shot, and then play around with looks and grades, or see what is possible with automated trackers and noise reduction etc.
One of the issues, i find is getting those clips onto a timeline with as little fuss as possible. FCPX does this wonderfully, but i am still a little irritated by all the auto scrolling any time my mouse moves past a clip. but fcpx is fast. but what i really want beyond speed is no fuss.
enter the Speed Editor. what i like about this is the hard keys and the ability to scroll between every clip and quickly toss select portions of clips onto a timeline.
- scroll
- in
- scroll
- out
- add clip to timeline
- keep scrolling
i think there is something to taking the tedious bits of getting clips onto the time line that help. however, scrubbing through raw can be painful. so, either using Prores, or having a hulking machine to beast through raw clips can be beneficial. Lately i’ve been shooting prores proxies along with redcode. so, i’ll only add a raw clip when i need to, and work with prores for basic “looks”.
the appeal of the Speed Editor is a lot like having a camera with buttons instead of a gui and menus. the scroll wheel is a huge improvement over the “jkl” playback keys on the keyboard. the scroll wheel feels right and adapts intuitively to the speed of the scroll from insanely fast to one frame at a time.
while i know this tool was created for editors, part of me feels this is equally or better suited for DIT and Cinematographers that want to lay down a sample scenes without much fuss.
Ok, i’ve been using Davinci Resolve since 2016, primarily to look at footage. not to edit or colour too often, although i have delved into the colour tools quite a bit, i still don’t consider myself a true expert there. A big part of using Davinci was it being a more robust and affordable colouring option to analyze footage and play around with looks.
most of the time, i just want to scrub through shots i’ve done, grab a few selects, or maybe even a trouble shot, and then play around with looks and grades, or see what is possible with automated trackers and noise reduction etc.
One of the issues, i find is getting those clips onto a timeline with as little fuss as possible. FCPX does this wonderfully, but i am still a little irritated by all the auto scrolling any time my mouse moves past a clip. but fcpx is fast. but what i really want beyond speed is no fuss.
enter the Speed Editor. what i like about this is the hard keys and the ability to scroll between every clip and quickly toss select portions of clips onto a timeline.
- scroll
- in
- scroll
- out
- add clip to timeline
- keep scrolling
i think there is something to taking the tedious bits of getting clips onto the time line that help. however, scrubbing through raw can be painful. so, either using Prores, or having a hulking machine to beast through raw clips can be beneficial. Lately i’ve been shooting prores proxies along with redcode. so, i’ll only add a raw clip when i need to, and work with prores for basic “looks”.
the appeal of the Speed Editor is a lot like having a camera with buttons instead of a gui and menus. the scroll wheel is a huge improvement over the “jkl” playback keys on the keyboard. the scroll wheel feels right and adapts intuitively to the speed of the scroll from insanely fast to one frame at a time.
while i know this tool was created for editors, part of me feels this is equally or better suited for DIT and Cinematographers that want to lay down a sample scenes without much fuss.