I don't need a monitor that's super accurate - just one that I can trust as well as the native FS7 LCD, knowing I'm in the ballpark prior to post production.
When I say green cast, I don't mean something that's just slightly off - this is distractingly way off.
That Blackmagic forum posting from their in-house tech suggests buying $695 software (plus hardware probe) to create a corrective LUT.
A 2 way tint adjuster on the VA 4K would probably get me where I need to be.
I had an Atomos Ninja Blade a couple of years ago - their approach was so much more enlightened, using a Spyder probe and their own in-built software to self calibrate.
I think I may just go back to one of those, as I still have the probe.
When I say green cast, I don't mean something that's just slightly off - this is distractingly way off.
That Blackmagic forum posting from their in-house tech suggests buying $695 software (plus hardware probe) to create a corrective LUT.
A 2 way tint adjuster on the VA 4K would probably get me where I need to be.
I had an Atomos Ninja Blade a couple of years ago - their approach was so much more enlightened, using a Spyder probe and their own in-built software to self calibrate.
I think I may just go back to one of those, as I still have the probe.
