Hello!
I'm going to be editing a 23.97fps project in which the audio was recorded straight into protools, rather than on tape. The sound mixer and I are having some different ideas regarding what we should do in order to sync.
I'm thinking this -- that he doesn't need to sync the files into the AVID at all, as the files that I have DO have recorded sound in them, just not the great quality ones, in which he can sync later in protools and export when his final mix is done. All I'd have to do is give him an edl right? And that should work?
He wants me to export every video file as a quicktime for him to sync the audio up in protools and then give back to me... but then I don't see how the timecodes are going to match up for me to do my online edit if I have his quicktime video files all over my timeline?
Anybody know the intelligent method to doing this? haha
Thanks so much in advance!!!
Ana
I'm going to be editing a 23.97fps project in which the audio was recorded straight into protools, rather than on tape. The sound mixer and I are having some different ideas regarding what we should do in order to sync.
I'm thinking this -- that he doesn't need to sync the files into the AVID at all, as the files that I have DO have recorded sound in them, just not the great quality ones, in which he can sync later in protools and export when his final mix is done. All I'd have to do is give him an edl right? And that should work?
He wants me to export every video file as a quicktime for him to sync the audio up in protools and then give back to me... but then I don't see how the timecodes are going to match up for me to do my online edit if I have his quicktime video files all over my timeline?
Anybody know the intelligent method to doing this? haha
Thanks so much in advance!!!
Ana