Hey,
So one of the issues with filming with the Canon 5dmark2 is that the 5d has rubbish sound, so many are using a double system recording solution, often the Zoom H4N. In this case, you'll record on the H4N and run a cable from the headphone output into the 5D and record the audio there also. This is mostly for syncing, however you can get a attenuating pad cable that reduces the signal by -25db to calm the 5d's pre amps a little.
However, the problem is if you plug this cable from the Zoom's headphone slot into the 5D, by definition you can't monitor the audio from the Zoom b/c the headphone slot is taken. This makes it pretty pointless to me, I shoot a lot of music, often away from the stage - aka urban environments - and I need to know I'm getting good audio.
Sometimes I have someone doing that specifically, but if it's just me then I need to know I'm getting what I need.
I've brought up using a headphone splitter in the past, but everytime I do people shoot it down and say it's a bad idea and so on and so forth.
I was wondering if this is true and if so why? Surely there are high enough quality splitters out there that won't degrade the signal going to the 5D?
If plugged into the Zoom's headphone slot, you can then plug in both the cable going to the 5d and also the headphones, which would seem the perfect solution to me.
Can someone clear this up to me as it seems to obvious, but I'm no audiophile!
So one of the issues with filming with the Canon 5dmark2 is that the 5d has rubbish sound, so many are using a double system recording solution, often the Zoom H4N. In this case, you'll record on the H4N and run a cable from the headphone output into the 5D and record the audio there also. This is mostly for syncing, however you can get a attenuating pad cable that reduces the signal by -25db to calm the 5d's pre amps a little.
However, the problem is if you plug this cable from the Zoom's headphone slot into the 5D, by definition you can't monitor the audio from the Zoom b/c the headphone slot is taken. This makes it pretty pointless to me, I shoot a lot of music, often away from the stage - aka urban environments - and I need to know I'm getting good audio.
Sometimes I have someone doing that specifically, but if it's just me then I need to know I'm getting what I need.
I've brought up using a headphone splitter in the past, but everytime I do people shoot it down and say it's a bad idea and so on and so forth.
I was wondering if this is true and if so why? Surely there are high enough quality splitters out there that won't degrade the signal going to the 5D?
If plugged into the Zoom's headphone slot, you can then plug in both the cable going to the 5d and also the headphones, which would seem the perfect solution to me.
Can someone clear this up to me as it seems to obvious, but I'm no audiophile!