Apple unveils Final Cut Studio 2

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April 15, 2007 2:38 pm ET
Macworld
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Apple unveils Final Cut Studio 2
By Jim Dalrymple and Jon Seff

Apple unveiled on Sunday Final Cut Studio 2, it’s production suite for film editors. As part of the update Apple will release Final Cut Pro 6, Soundtrack 2, Compressor 3, Motion 3 and a new application called Color.

The Open Format Timeline will allow users to mix formats, mix resolutions and even mix frame-rates. The application will also include SmoothCam, which will remove unwanted camera motion. Editable Motion Templates within Final Cut Pro will also be included in this version.

Final Cut Pro 6 introduces Apple's ProRes 422 format for uncompressed HD quality at SD file sizes. ProRes 422 is a new full raster, 10-bit 4:2:2 post production format that produces HD quality at SD file sizes, making it ideal for working efficiently across a SAN or on a MacBook Pro in the field, according to Apple.

Color

New to Final Cut Studio is an application called Color. According to Apple, Color puts a logical task-based color grading and finishing workflow in the hands of every Final Cut Pro editor. The primaries in Color include advanced color correction tools such as gamma, lift and gain adjustments, as well as custom R, G, B and luma curves, and the secondaries provide the ability to isolate specific areas of an image with soft-edged mattes and custom-shaped vignettes.

Professional scopes provide precise monitoring of chrominance and luminance values via waveforms, histograms and new 3D scopes. Color includes over 20 looks which can be customized to create a unique mood for any given project, and offers a roundtrip workflow where projects can be sent from Final Cut Pro 6 directly to Color for grading, finishing and final rendering with 32-bit float 4:4:4 image processing.

Color also has more than 40 effects including, Exposure, Film Grain, Alpha Blend and Noise Reduction.

Motion 3

Motion 3 includes many new features including the ability for all real-time tools to be extended to 3D. Motion also has multi cam and light sources, and vector-based paint with pen pressure and speed sensitivity.

Motion 3 will also have Match Moving, a new simple workflow that automatically follows the path of any animated object (even if it was not created in Motion). Match Moving will suggests points and create motion paths for video.

Retiming Behaviors like, Hold Frame, Set Speeds, and other creative timing effects like Slip and Slide are also part of the application.

Audio Behaviors allows animations to respond to the soundtrack and control animations based on volume and frequency. Audio behaviors can be assigned to any parameter on any object.

Soundtrack Pro 2

Soundtrack Pro 2, Apple’s audio editing and sound design application, “focuses on marriage between picture and sound,” according to Rob Schoeben, Apple’s vice president of Applications Product Marketing.

The new version features 3-up video HUD for placing clips and advanced Take Management for dialog replacement. Soundtrack Pro will also have Surround Mixing, which allows for 5.1 and stereo in a single project.

Soundtrack Pro has panners with automation, surround plug-ins and more than 1000 music tracks and sound effects in 5.1 surround.

A new Conform feature allows users to sync changes between video and sound — differences are highlighted in the graphical view. Users can audition and then accept or override the changes.

Soundtrack Pro features a new waveform editor with a frequency spectrum view to see audio in a different way. A new Multitake Editor gives users the ability to compare replacement dialog tracks and then pick the portions you like and build a good clip.

Soundtrack Pro 2 comes with more than 2000 royalty-free sound effects.

Compressor 3

Compressor 3 gives editors a complete set of tools for generating video for use on the iPod, the web, wireless devices and DVD. According to Schoeben, Compressor is the “tool we use to encode every bit of video on the iTunes store.”

In addition to simplifying the cluster setup, Apple has added MPEG-2 broadcast program streams and presets for the iPod and Apple TV.

Compressor 3 can take advantage of as many cores as you have access to — the user just needs to pick the number of instances. You can keep track of performance using the included core gauge.

According to Apple, Compressor 3 has “the ability to publish to any device on the planet.”

Apple will not release an update for DVD Studio Pro.

Pricing and availability

Final Cut Studio 2 will cost $1,299 or $499 for an upgrade. Upgrading from any version of Final Cut Pro to the Studio will cost $699. Final Cut Studio 2 will be available next month.
 
Five hundred bucks for the upgrade? I guess that's cheap-ish if you're making money with the program. Curse my appetite for power! Oh well, I'll wait on this one a bit, even though it sounds sweet. Actually having something worth editing would be start. Hope my producer's estimate for my Spyfest entry comes in tomorrow as promised. And relatively cheap. Jeezo, I'm way behind. [/ramble]
 
They said from the beginning that Phenomenon wouldn't be here until 2008. Book early for the next NAB.
 
I KNOW RIGHT!?!?!? This is such a bad-ass tool man it's ridiculous. Have I praised the new Motion enough yet? If not. MOTION 3 OMFG.
 
So many people got slapped in the face with that announcement. I guess you can't say "WHAT ARE YOU GONNA EDIT ON!?!?!" anymore. LOL.

Looks like they were cutting quite easily to me.
 
Dude. SD, HD, and 2k. It;s like the perfect companiion to Hydra ( if Hydra stacks up. ). Hell, the entire STUDIO is the perfect companion to every 2k Digital method out there.

Sigh.
 
Kholi said:
Have I praised the new Motion enough yet? If not. MOTION 3 OMFG.

Eh, the paint tools look impressive, but overall its still just After Effects Lite For Dummies™

:)
 
kai said:
Eh, the paint tools look impressive, but overall its still just After Effects Lite For Dummies™

:)

After Effects is great, when I have my PC around. However I find myself working on a Mac more often and I ain't about to spend money on After Effects myself. My comapny won't foot for it. They will, however, drop money on Final Cut Studio 2-- so i'll take what I can use daily. :D

<33 After Effects by the way. IT's too bad Motion 3 won't contain all of what After Effects can do.
 
kai said:
Eh, the paint tools look impressive, but overall its still just After Effects Lite For Dummies™

:)
As much as I think this upgrade is pretty insignificant, at least a lot less than I expected, I think you need to give them a bit more credit than that.

Motion was never intended to be a compositor in the same way as AE. As a broadcast design tool its getting to be very impressive.

Probably the most significant upgrade is the new ProRes codec. If they implemented this correctly it should be much better than DVCProHD, the user should be able to convert HDV to it during capture and should be able to resolve most of the sequence compatibility issues inherent in FCP.

It doesn't appear that they improved the media manager much, but many of the upgrades are more about usability than adding new features. If they work well this should be interesting.
 
I think the most significant upgrade is probably the multi-format timeline. That's an area where FCP was lagging seriously behind, and it's a great addition.

If you've never experienced it, you're going to love it.

Still no native MXF support . . .
 
I use FCP, so I'm not biased against it. I still say, however, that up until at least FCP 5, it's not better - and perhaps slightly worse than Vegas. Of course it's a hard comparison, since they have different strenghts, but for example I prefer the sound editing in Vegas by about 10000%. And - surprise surprise with Apple supposed to be the usability guru - I think Vegas is easier and more intuitive.

That said, I'll have to check out FCP 6 - it may now take a lead over Vegas. My big fear for Vegas has always been Sony - Sony is a POS company when it comes to giving the consumers what they want and need. I was extremely unhappy when Sony took over. And now I'm afraid that Sony is too slow moving to match Apple wrt FCP/Vegas. They need to put a lot more resources into Vegas... not just for Vegas users sake, but for FCP users as well... the consumer wins when there's competition. Vegas needs to stay in the race!!!

Anyone have any thoughts on how FCP 6 will impact Vegas development, or how they compare now with FCP 6 out?
 
David Jimerson said:
I think the most significant upgrade is probably the multi-format timeline. That's an area where FCP was lagging seriously behind, and it's a great addition.

If you've never experienced it, you're going to love it.

Still no native MXF support . . .
I think what you'll find is that the new ProRess codec is what enables the multi-format timeline.

By replacing the image processing layer with a "common" codec, in a similar way that Adobe and Cineform did, Apple is giving us the ability to work in a more digital intermediate workflow. IF IT WORKS, it could resolve a lot of sequence setting issues, significantly increase the interoperability between applications and provide much better quality than the DVCProHD codec.

This is promising, I just wish we could get it now...
 
ChuckS said:
I think what you'll find is that the new ProRess codec is what enables the multi-format timeline.

By replacing the image processing layer with a "common" codec, in a similar way that Adobe and Cineform did, Apple is giving us the ability to work in a more digital intermediate workflow. IF IT WORKS, it could resolve a lot of sequence setting issues, significantly increase the interoperability between applications and provide much better quality than the DVCProHD codec.

This is promising, I just wish we could get it now...

If that is the case, and you need the new $3K+ I/O box to do it, then not so great. You would now need to pay about $5K PLUS a Mac to do what Vegas has done out of the box for years, and other apps are starting to do with no need for hardware support.

So, I sincerely hope the multi-format timeline is independent of the ProRes 422.
 
My god! Color looks absolutly amazing! I can't spot any features missing from Final Touch! :thumbup:
 
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