Anyone using New Nikon Glass with Novoflex?

wbrock001

Well-known member
I had been thinking of going with Birger and getting new Canon L glass since its time to get some great glass, but just found out the Birger is going to be delayed at least another two months. So I'm thinking of going with plan B which is Nikon glass, but would prefer to get the newer lenses so I could also buy a decent dslr too. The lenses I'm considering are the 14-24mm f/2.8, the 24-70 f/2.8, and the 70-200 f/2.8 VR II, plus the novoflex m4/3 to Nikon adapter that allows for iris control (even though its not easy to know exactly what aperture you are on). Amazon puts all those at about $5900. So my question is, has anyone been using any newer Nikon glass with the novoflex, are there any issues, is the novoflex fit nice and tight? Does the aperture setting hold well on the adapter (it appears it has a very short range of motion)? Any issue crop up? I'd love any input on this potential choice for strengths and weaknesses? Plus I have heard the canon L equivalent 24-70 f/2.8 is in need of an update to compare with other brands. Thank you!

I also realized one benefit of the Nikon glass is that is has the hardware lever for iris, unlike canon, so that aperture can be changed non-electronically on any future platform.
 
granted i have not 'shot' anything yet, i have not had any issues.

novoflex w/ nikkor 70-200 f2.8 vr, 17-35 f2.8, 50 f1.4, 35 f1.4 ais
 
Two weeks ago we shot a high-end national TV spot with the Novoflex adapter and new (G-style) Nikon lenses on the AF100...

So my question is, has anyone been using any newer Nikon glass with the novoflex, are there any issues, is the novoflex fit nice and tight?

No issues. The Novoflex is a solid piece of gear. Fit is tight. Lock up is secure. The release button is a little small, but not a big deal.


Does the aperture setting hold well on the adapter (it appears it has a very short range of motion)? Any issue crop up?

Yes, it has a nice level of rotational resistance that keeps the iris where you want it. No real issues, only that you cannot precisely set aperture (ie. f2.8 vs. f3.2) but with an onboard WFM, zebras, and ND filter wheel, you can pretty much dial in the look you want without needing to know the exact f stop number.


I'd love any input on this potential choice for strengths and weaknesses?

No real weaknesses that we found. We used the 17-55 f2.8 DX G, the 50mm f1.4 G, and the 85mm f1.4 AFD.... All worked flawlessly and made for a FANTASTIC looking TV spot. (Wish I could share it with the DVX community, but no can do : ( )
 
Great! Thank you for the 411. So overall it sounds like a pretty good combination if its good enough for a high budget TV spot...
 
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