Another Slo Mo Question (Premiere Pro CS4)

Phil B

Active member
OK, first off I am editing on a PC with Premiere Pro CS4

I am shooting the footage 720 60p, then dropping it in a 720 24p sequence for the Slo Mo stuff.

So here is my question... Lets say I am editing a wedding and I have a pre wed montage that is all Slo Mo, then it goes into the wedding which is real time. If I nest the 24p timeline of the montage into the 60p timeline of the wedding will the slo mo still look like it does in the original 24p timeline?

My second question is basically the same as the first except that in this montage I will have a mix of slo mo and realtime. So do I do the slo mo clips in a 24p timeline and then nest them into a 60p timeline?

I hope that makes sense...

Thanks
Phil
 
What's your final delivery format? That's the settings your final timelines should be. In fact I'm not sure if you even need any 60p timelines... why not drop all your footage on 24p timelines and slow down any footage you want in slow-mo?

Another option (the cleanest, IMO) is to right-click any footage you want to be slowmo-ed from the project window and choose "interpret as". Then set the 'interpreted' framerate of your 60p footage to 23.976.
 
What's your final delivery format? That's the settings your final timelines should be. In fact I'm not sure if you even need any 60p timelines... why not drop all your footage on 24p timelines and slow down any footage you want in slow-mo?

Another option (the cleanest, IMO) is to right-click any footage you want to be slowmo-ed from the project window and choose "interpret as". Then set the 'interpreted' framerate of your 60p footage to 23.976.

If I drop all my footage into a 24p timeline I will have to render out everything. If I would do it this way would the footage look like 24p? I personally do not like that look for a wedding?

I am not real sure about my final export... I am still playing with that. Right now I am burning 720 60p Blu Ray disk's, but that was going to be another question that I have. Before getting these cameras we shot in HDV and shot in and exported 1440x1080 30i, but with this camera and all the options I really am not sure what would be best to do...

Thanks
Phil
 
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