Another corporate film shot in Sweden, warning very corporate!

Looks good, Sparky! It may be more corporate, but it's nice having several voices, rather than the single speaker for the other piece.
I especially like the interview at :57, very nice looking.

What settings are you using?

Were there any opportunities for time lapse, either interior or exterior? That might work well in this sort of project.
Keep them coming!
Cheers!
 
Thanks groveChuck. It is great to have several voices, we were limited in places to just one talent. It's also tricky making a smooth edit from answers to camera often with very broken English. For these interviews I used the Nikon 17-55mm F2.8 lens, so I could reframe the shot. For the wide shots the Tokina 11-16mm. I have to say I think I may actually prefer the look from the Nikon 17-55mm rather than my Nikon ais primes - the image is sharp and punches loads of colour too - I was really suprised by how good it looks. I hires one for this job but will probably buy one. I think the biggest challenge on these cameras is getting the exposure spot on, but when you do, it looks fab.
It was a real race against the clock in terms of the schedule so not a great deal of time at each location, but you are absolutely right in saying that time lapses would suit this type of film very well. Sparky
 
Completely agree with you. Over exposed looks like trash, under exposed looks like trash. If you get it right...magic.
 
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