Will there be, in the future, an anamorphic adapter that will not have the focusing/aperature issues that the current panasonic one does? The reason I ask is because I was talking to Nancy Schreiber and I asked her why she didn't use the Anamorphic adapter on "November" and she said that the benefit didn't outweigh the detriment it would be on the production's schedule in terms of the time it would take to ensure proper focus. Does anyone have any specific examples/stories about using the adapter on a feature or short?