All-Intra400 file handling

[The Sarlacc]

OK...So I've just shot a bunch of latitude and noise tests on an EVA1. I typically live in the world of Arri and Prores.

So, what is the best way to handle the footage? I more or less use DaVinci Resolve these days, but the media does not seem to want to import. But I do have access to FCPX if I need it. I do not use Premiere nor do I have any desire to deal with it.

I need to keep the footage at the highest quality as I'm dealing with Netflix constraints.

Thanks.

 

[Seanik]

To import into Resolve, you have to suck it up and buy the Studio version. The free version doesn't enable you to import 4K 10-bit files of the codecs recorded by EVA1, LongGOP or All-I.

 

[Clermond]

I piggyback on this thread..
I have a playback issue with the native files of the EVA-1 and GH5 in FCPX on a maxed out 2015 27" iMac.
I have to trancode everything to proxy or optimised aka ProRes which is time consuming and annoying.
FS7 and C300 works like a charm.

 

[The Sarlacc]

To import into Resolve, you have to suck it up and buy the Studio version. The free version doesn't enable you to import 4K 10-bit files of the codecs recorded by EVA1, LongGOP or All-I.

Hmmm looks they might have finally got me!!!

Its OK. I have the pocket 4k preordered. So, I'll have the Studio version soon enough. I dual recorded...so I have the ProRes files. Will eventually peep the All-I.

Thanks.

 

[video652]

You should be able to revert back to an earlier version. I use Davinci 12.0 free version and have no problems importing All-I from my GH5s. I also worked with my GH5.

 

[soarprod]

2017 maxed gpu iMac works on playback. Prefer proxy editing for speed for bigger projects

I piggyback on this thread..
I have a playback issue with the native files of the EVA-1 and GH5 in FCPX on a maxed out 2015 27" iMac.
I have to trancode everything to proxy or optimised aka ProRes which is time consuming and annoying.
FS7 and C300 works like a charm.