ALL-I vs. IPB. See my comments here: http://cinema5d.com/viewtopic.php?f=30&t=39999. In short, ALL-I is noisy and has a macroblock quantization issue. IPB at ~30Mbps smokes 80+Mbps ALL-I. Lower noise and much higher detail while using ~3x less disk space:
ALL-I (see tree, left of sign, bamboo, right of sign, sign pole):
View attachment 50919
IPB:
View attachment 50920
Recommended settings:
IPB, Faithful, 0,0,0,0, Manual White Balance. Sharpen in post with "Sharpen" (convolution, real-time in PPro) or Unsharp Mask with radius < 1.0 (typically slower and not real-time). Use larger values for Unsharp Mask for mid frequencies, and really large values (50+) for Local Contrast Enhancement: http://www.luminous-landscape.com/tutorials/contrast-enhancement.shtml.
For Pro Audio:
Set audio level to manual, set level to 1 click above 0. Use any decent preamp to bring levels up to -12dB. I tested with a G3 wireless receiver straight into camera as well as a Sound Devices USBPre2 (with a USB battery- excellent location quality for less $$$ vs. an SD702, as long as the camera is on a tripod, not moving).
ALL-I (see tree, left of sign, bamboo, right of sign, sign pole):
View attachment 50919
IPB:
View attachment 50920
Recommended settings:
IPB, Faithful, 0,0,0,0, Manual White Balance. Sharpen in post with "Sharpen" (convolution, real-time in PPro) or Unsharp Mask with radius < 1.0 (typically slower and not real-time). Use larger values for Unsharp Mask for mid frequencies, and really large values (50+) for Local Contrast Enhancement: http://www.luminous-landscape.com/tutorials/contrast-enhancement.shtml.
For Pro Audio:
Set audio level to manual, set level to 1 click above 0. Use any decent preamp to bring levels up to -12dB. I tested with a G3 wireless receiver straight into camera as well as a Sound Devices USBPre2 (with a USB battery- excellent location quality for less $$$ vs. an SD702, as long as the camera is on a tripod, not moving).
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