robbrobb07
Member
Badically, I've invested in some nice AF100 kit.
the camera, obviously.
voigtlander 25mm f0.95 lens (beautiful!)
all sorts of battery accessories and bits and bobs and cards etc...
Cineroid Viewfinder etc...
my main beef is with the combination of rig equipment...
I bought the Kinomatic Movietube CR... a seemingly great rig for the F3 and AF100 (that's what it advertises)
There's a reason why all the marketing pictures on CVP.co.uk have the F3 sat on it...
the AF100 is awkward on this rig if you want the side handle of the camera to stay on while sat on the rig...
because the movietube CR has a solid metal pillar halfway along the rig, which can't be slid forwards or backwards, and houses a grip handle and brackets for swinging a cineroid monitor etc...
this pillar CAN be slid further out away from the rig body, but even then, the AF100 manages to awkwardly hug it and even with the side handle taken off the AF100, it's a tight fit...you can't house a radio mic reciever onto the side instead of the handle for example, or even on top of AF100 where the main horseshoe mount is,...because this movietube CR's handle floats above the AF100 (thanks to this annoying pillar) but it floats directly above the AF100's top handle, meaning you can't house anything on the AF100 without serious fiddling and moving the Movietube's floating handle off-center to clear space for the AF100.
You 'could' take the top handle off of the AF100 - revealing another horseshoe mount lower down,..but then you have nothing to hold the AF100 with if you need to snap it off the rig quickly for whatever reason...
I hope this all makes some kind of sense...
Once you manage to choose a compramise somewhere, fitting the VOCAS follow-focus on is interesting also, because the AF100 camera and voigtlander lens are very short, i have to bring the camera right up to the rim of the movietube CR's camera mounting rail, where the VOCAS follow focus just about recieves it on the other side of some clunky black metal body work that doesnt shift...
the movietube CR has small and large bars sticking out the front. small on top, large underneath. nice!
problem is... the VOCAS mattebox i spent loads on only takes small bars, so it sits towering above my lens...
Fair enough, i should invest in a camera riser plate etc, like a Zacuto thingy...
BUT
if you do that, then DEFINITELY no chance of using half the movietube CR's rig (the annoying pillar that houses the floating handle and monitor brackets etc) due to the fact that you'll be raising the camera up into the floating handle above it....all very tight space....
so as you can see, the VOCAS gear doesnt work well with the AF100 with the voigtlander lens when all mounted onto the Kinomatic Movietube CR...
Yes, i should've found out if it's all compatible first...but it's very difficult as many of you may be aware... and I thought i'd studied everything about all this kit! ..i was wrong...
anybody got a similar setup?
R
the camera, obviously.
voigtlander 25mm f0.95 lens (beautiful!)
all sorts of battery accessories and bits and bobs and cards etc...
Cineroid Viewfinder etc...
my main beef is with the combination of rig equipment...
I bought the Kinomatic Movietube CR... a seemingly great rig for the F3 and AF100 (that's what it advertises)
There's a reason why all the marketing pictures on CVP.co.uk have the F3 sat on it...
the AF100 is awkward on this rig if you want the side handle of the camera to stay on while sat on the rig...
because the movietube CR has a solid metal pillar halfway along the rig, which can't be slid forwards or backwards, and houses a grip handle and brackets for swinging a cineroid monitor etc...
this pillar CAN be slid further out away from the rig body, but even then, the AF100 manages to awkwardly hug it and even with the side handle taken off the AF100, it's a tight fit...you can't house a radio mic reciever onto the side instead of the handle for example, or even on top of AF100 where the main horseshoe mount is,...because this movietube CR's handle floats above the AF100 (thanks to this annoying pillar) but it floats directly above the AF100's top handle, meaning you can't house anything on the AF100 without serious fiddling and moving the Movietube's floating handle off-center to clear space for the AF100.
You 'could' take the top handle off of the AF100 - revealing another horseshoe mount lower down,..but then you have nothing to hold the AF100 with if you need to snap it off the rig quickly for whatever reason...
I hope this all makes some kind of sense...
Once you manage to choose a compramise somewhere, fitting the VOCAS follow-focus on is interesting also, because the AF100 camera and voigtlander lens are very short, i have to bring the camera right up to the rim of the movietube CR's camera mounting rail, where the VOCAS follow focus just about recieves it on the other side of some clunky black metal body work that doesnt shift...
the movietube CR has small and large bars sticking out the front. small on top, large underneath. nice!
problem is... the VOCAS mattebox i spent loads on only takes small bars, so it sits towering above my lens...
Fair enough, i should invest in a camera riser plate etc, like a Zacuto thingy...
BUT
if you do that, then DEFINITELY no chance of using half the movietube CR's rig (the annoying pillar that houses the floating handle and monitor brackets etc) due to the fact that you'll be raising the camera up into the floating handle above it....all very tight space....
so as you can see, the VOCAS gear doesnt work well with the AF100 with the voigtlander lens when all mounted onto the Kinomatic Movietube CR...
Yes, i should've found out if it's all compatible first...but it's very difficult as many of you may be aware... and I thought i'd studied everything about all this kit! ..i was wrong...
anybody got a similar setup?
R










