Yes, my first shoot was AF100 and HVX, and they intercut nicely. I had to do a bit of work in the grade to get them to match, but it was easy to do (actually rather easier than matching my two HVX200's to each other can be sometimes!)
I found it was much better to pull the HVX footage to match the AF100, then apply the final look (which was a very gentle warm up and slight s-shaped tone curve). Edited together very nicely.
I'm liking B-Press on the AF100 so far. The HVX's I've always shot Cine_D, but then applied quite an aggressive S-shaped curve. It had the latitude in the grade to cope. The AF100 was more successful shooting B-Press and getting me 90% of the way to my usual look, rather than Cine_D and grade it... but you'd better get the exposure spot on or you'll be hurting. No pulling up two thirds of a stop of underexposure and getting away with it with the AF100 (especially not in B-Press) but this seems to tame some of the posterisation by reducing the amount of pulling around to be done in the grade.
But still very much at the start of the learning curve!
Cheers, Hywel.
I found it was much better to pull the HVX footage to match the AF100, then apply the final look (which was a very gentle warm up and slight s-shaped tone curve). Edited together very nicely.
I'm liking B-Press on the AF100 so far. The HVX's I've always shot Cine_D, but then applied quite an aggressive S-shaped curve. It had the latitude in the grade to cope. The AF100 was more successful shooting B-Press and getting me 90% of the way to my usual look, rather than Cine_D and grade it... but you'd better get the exposure spot on or you'll be hurting. No pulling up two thirds of a stop of underexposure and getting away with it with the AF100 (especially not in B-Press) but this seems to tame some of the posterisation by reducing the amount of pulling around to be done in the grade.
But still very much at the start of the learning curve!
Cheers, Hywel.