ahalpert
Major Contributor
You didn’t say how big of a crew.
Um, the sort of crew that works on best picture nominees. That's what this whole discussion is about. There's some variability there, but definitely a large minimum.
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You didn’t say how big of a crew.
Wait back up for a sec, some assumptions here where you are wearing rose colored glasses. Unless I misunderstood, these rules do not only apply to large productions, but any film being submitted for an Oscar. So smaller crewed, docs, indie features, and short films would all be subject to these rules. And there are waaay more small under budgeted productions trying to get noticed then there are giant block buster films being made. So, every different sized shoot has different common practices and if you've worked on a film you know schedules (hah)are constantly changing, so these statements seem like bit of a nonstarter. But even if that were true, on bigger shows there would definitely be situations where "rule qualifying" talent or crew members pull out mid production and are replaced by an a readily available white male, and because of this rule, they'd have to fire another white guy for being white. Wouldn't you agree?
I do infinitely appreciate you walking back your earlier "Nobody is singled out by a policy like this" statement and admitting that straight white guys will, as the new rules clearly state, get very much singled out and either not hired at all, or actually fired for no other reason than being straight white men. But I would love to hear how I might be have misrepresenting your point.
It's my understanding that people are now allowed to self-identify as anything they want.. So, if a production needs me to identify as a black lesbian to meet a quota, then so be it. Maybe I am. Only I can say that I'm not, right?
What the Academy needs to come out with is the "ParaOscars" (kind of like the Paralympics) for those people who feel they can't compete on a level playing field. So, if you want to assemble the best production team you can muster, without regard to social demographics, then you'll compete for a regular Oscar. But if you want to assemble a disverse group of crew that meets certain requirements, then you could compete for a ParaOscar. If it works for sports, why not the arts?
What principles?
Oh, and I assume you read the news that Disney is in the process of laying off 7,500 employees, as it has missed its earning estimates. That's because their returns on investments are not there. Their resorts portfolio is constantly changing too and, the soon to be shut down "Star Wars Hotel" didn't exist prior to Covid.
The next thing you'll do is to repeat Putin's line about Anheuser-Busch that "everything is going according to plan".
If I lost out on a job because i was white, that would really frustrate me. But the idea is that there are already people losing out on jobs because they aren't straight white men, just probably not because of an explicit policy. This is intended to counterbalance that pressure.
And if they're bringing on additional hires mid-production, then probably some of those will be not white. I really doubt they're gonna fire someone they already have to meet their quota.
White men are 31% of the US population. I don't see how you can say that a workforce that is 70% straight white men is excluding them.
Let's look at recent winners.
Everything everywhere all at once - mostly Asian cast, Asian co-director
CODA - female director and star. Deaf costars
Nomadland - female star, Asian female director
Parasite - south Korean
I hate to break it to you but this is already happening and at scale, otherwise they wouldn't have the balls to make this new rule without fear of repercussion. In the former case, when discrimination happened, 1. it was in fact against the law so legal action could be taken and victims got paid out 2. there were no policies that went a step further and actually incentivised discrimination. The great thing is, you don't have to wait til it happens to you to be pissed or lawyer up.
Ugh, this is like the gender wage gap argument and even if you don't mean to, you're cherry picking out of context data a bit here. A far more crucial/important "straight white dude number", wouldn't be US population, but number of those working in film. I'd wager it's the highest populated group in the biz, and if true, that would also make said group the most saturated & competitive to make a living in, compared to others. Do you have those numbers by any chance?
Hmm, seems like you are making the case that the Academy has come up with a great solution to a problem that doesn't actually exist.
I can't abide any organization that requires quotas and mandates that are based on race, gender, religion, or creed. I hope the writers strike goes on for many months and the whole "Hollywood" system burns to the ground.
If some of my clients have initiatives, then I am unaware of those initiatives and nobody is putting them in my face or telling me how to do my job or whom I should work with. So, like many polices and practices a company may have for all aspects of their business, it is all irrelevant to me. I'll let you know if/when it ever becomes an issue. But I would argue that anyone who works as a cog in the feature film business or scripted television production (not me) feels the effect of the Academy mandates every day, whether they realize it or not.
And before you ask, yes I have taken a stand and refused to work for certain organizations because I disagree with their practices or politics. For the last 8-10 years I have turned down all work for Fox News and also for the Service Employees International Union (SEIU), just to name a couple. How's that for opposite ends of the spectrum? And there are even more companies I choose not to do business with as a consumer because I don't like their product or way of doing business. Vote with your wallet.
What would you propose as an alternative?
Nothing at all.
As you posted yourself, there really is no problem here that needs to be solved, and even if there is, I have no standing or special insight. In fact, I barely care enough to post on this thread. But with that said, my advice is to just get out of the way and let the market run it's natural course. Talent, hard work, and brains will rise to the top if you let it. And when it comes to hiring, no consideration whatsoever should be given to race, gender, sexual orientation, or anything else that tends to divide people and pit them against each other. As an audience member, I just want to be entertained. I don't really care WHO produced the material as long as it was done well.
ut if you're opposed to quotas generally and you don't have an alternative proposal to change industries where women or black people, for example, face bias -- then it basically sounds like you're happy to keep things as they are.
I don't accept your premise that there is wide-spread systemic bias that actually keeps genuinely-qualified candidates from being hired.
https://www.bloomberg.com/news/artic...heckout-bannerJob Applicants With ‘Black Names’ Still Less Likely to Get Interviews
Employers aren’t treating identical resumes equally, new research finds.
I don't accept your premise that there is wide-spread systemic bias that actually keeps genuinely-qualified candidates from being hired.