A7R mk II Announced - 42.4MP, 5-axis Stabilization, Internal 4k, $3,200.

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http://www.dpreview.com/articles/89...r-ii-has-42-4mp-on-full-frame-bsi-cmos-sensor

[h=2]Sony’s New α7R II Camera Delivers Innovative Imaging Experience with World’s First Back-Illuminated 35mm Full-Frame Sensor[/h] Sony’s Flagship Mirrorless Camera Features 42.4 MP Back-illuminated CMOS sensor, In-camera 5-axis Image Stabilization, Internal 4K Video Recording, Silent Shooting, Fast Hybrid AF and more
NEW YORK, Jun. 10, 2015 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their new flagship full-frame mirrorless camera, the α7R II (model ILCE-7RM2).
The new α7R II interchangeable lens camera features the world’s first back-illuminated full-frame Exmor R CMOS sensor1, which realizes high resolution (42.4 MP approx. effective megapixels), high sensitivity (expandable up to ISO 102400)2 and high speed AF response up to 40% faster than the original α7R thanks to 399 focal plane phase detection AF points.
The camera also includes a 5-axis image stabilization system borrowed from the acclaimed α7 II model and can shoot and record 4K video in multiple formats including Super 35mm (without pixel binning) and full-frame format, a world’s first for digital cameras1. Additionally, it has a newly refined XGA OLED Tru-Finder with the world’s highest (0.78x) viewfinder magnification3.
“Sony continues to deliver game-changing imaging products that are changing the way imaging enthusiasts, hobbyists and professionals can see and capture the world,” said Mike Fasulo, President of Sony Electronics.
Kimio Maki, Senior General Manager of Digital imaging Business Group for Sony Corporation, added “By harmonizing high resolution, sensitivity and speed, we’re delivering a high-level full-frame imaging experience unlike anything else in market today, with Sony’s newly developed, world’s first back-illuminated 35mm full frame CMOS sensor.”
High Resolution, High Sensitivity and High-Speed Response
The newly developed 42.4 MP back-illuminated CMOS sensor is the most advanced, versatile and highest resolution full-frame image sensor that Sony has ever created, allowing the α7R II to reach new levels of quality, sensitivity and response speed. In the past, many photographers have been forced to choose between high-resolution and high-speed or high resolution and high sensitivity when selecting a camera. The new α7R II eliminates that sacrifice thanks to its innovative image sensor.
The 42.4 MP sensor combines gapless on-chip lens design and AR (anti-reflective) coating on the surface of the sensor’s glass seal to dramatically improve light collection efficiency, resulting in high sensitivity with low-noise performance and wide dynamic range. This allows the camera to shoot at an impressive ISO range of 100 to 25600 that is expandable to ISO 50 to 1024002.
Additionally, the sensor’s back-illuminated structure, with an expanded circuit scale and copper wiring design, enables faster transmission speed and ensures content can be captured in high resolution without sacrificing sensitivity. Data can also be output from the sensor at an approximately 3.5x faster rate compared to the original α7R.
An ideal match for Sony’s extensive collection of FE lenses (35mm full-frame compatible E-mount lenses), the new α7R II features a high-speed BIONZ X image processing engine that allows images and video from the camera to be captured with supreme details and low noise. There is also no optical low pass filter on the camera, ensuring that scenery and landscapes are captured in the highest possible resolution and clarity.
The α7R II has a new highly durable reduced-vibration shutter that realizes 50% less vibration from shutter movements compared to its predecessor, and has a cycle durability of approximately 500,000 shots4. The camera can also be set to Silent Shooting mode in order to shoot images quietly without any sensor vibration or movement.
The new image sensor features 399 focal-plane phase-detection AF points – the world’s widest AF coverage on a full-frame sensor1 – that work together with 25 contrast AF points to achieve focus response that is about 40% faster than the original model. The α7R II utilizes an advanced motion-detection algorithm combined with this Fast Hybrid AF system to achieve up to 5fps continuous shooting with AF tracking.
Additionally, the focal plane phase-detection AF system on the α7R II works well with Sony A-mount lenses when they are mounted on the camera using an LA-EA3 or LA-EA1 mount adapter. This allows users to enjoy the wide AF coverage of 399 focal plane phase-detection AF points, high-speed response and high tracking performance with a wider range of lenses. This marks the first time that the AF system of a mirrorless camera can achieve high performance with lenses originally designed for DSLRs.
5-Axis Image Stabilization Optimized for 42.4 MP
The new flagship α7R II model is equipped with an innovative 5-axis image stabilization system that has been fine-tuned to support its high-resolution shooting capacity. Similar to the system launched on the acclaimed α7 II model, this advanced form of image stabilization corrects camera shake along five axes during shooting, including angular shake (pitch and yaw) that tends to occur with a telephoto lens, shift shake (X and Y axes) which becomes noticeable as magnification increases, and rotational shake (roll) that often affects video recording. This camera shake compensation system is equivalent to shooting at a shutter speed approximately 4.5 steps faster5.
Additionally, the 5-axis stabilization works cooperatively with Sony α lenses with optical SteadyShot™ (OSS) to provide maximum stabilization and clarity, while also performing admirably via a compatible mount adapter with Sony α A-mount lenses6 without on-board stabilization. Effects of the stabilization can be previewed via live-view on the LCD or OLED viewfinder of the camera.
Unrivaled 4K Movie Shooting Performance
The impressive video credentials of Sony’s new α7R II camera include the ability to record movies in 4K quality (QFHD 3840x2160) in either Super 35mm crop mode or full-frame mode.
In Super 35mm mode, the camera collects a wealth of information from approximately 1.8x as many pixels as 4K by using full pixel readout without pixel binning and oversamples the information to produce 4K movies with minimal moire and ‘jaggies’.
In full-frame mode, the α7RII utilizes the full width of the 35mm sensor for 4K recording, allowing users to utilize the expanded expressive power of the sensor. It is the world’s first digital camera to offer this in-camera full-frame format 4K recording capacity1.
The camera utilizes the advanced XAVC S7 codec during video shooting, which records at a high bit rate of 100 Mbps during 4K recording and 50 Mbps during full HD shooting.
Additionally, the α7RII model features a variety of functions to support a professional video workflow including Picture Profile, S-Log2 Gamma and S-Gamut, 120fps high frame rate movie shooting in HD (720p), time code, clean HDMI output and more.
Enhanced Design, Operability and Reliability
The new full-frame α7RII has an upgraded XGA OLED Tru-Finder™ with a double-sided aspherical lens that delivers the world’s highest viewfinder magnification3 of 0.78x for crystal clear image preview and playback across the entire display area. ZEISS® T* Coating is also utilized to reduce unwanted reflections that interfere with the shooting experience.
The camera has an extremely solid, professional feel in-hand thanks to its light, rigid magnesium alloy design, and has a re-designed grip and shutter button compared to its predecessor. There is also a new mechanism to conveniently lock the mode dial, and an expanded range of customizable functions and buttons to suit the most demanding photographers.
The new α7R II camera is Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile™ application available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™, which add a range of creative capabilities to the camera. For example, there is more creativity available now for time-lapse photography thanks to a new “Angle Shift add-on” app allows users to easily add pan, tilt and zoom to time-lapse images without any additional shooting equipment or PC software required. Learn more at www.sony.net/pmca.
Sony has also introduced a new LCD monitor model CLM-FHD5, an ideal companion to the α7R II for video shooting. A compact 5.0 type Full HD (1920x1080p) LCD monitor, the CLM-FHD5 features enlarging and peaking functionality for precise focusing, false color and video level marker for adjusting exposure and S-Log display assist to assist S-Log shooting.
Pricing and Availability
The Sony α7R II full-frame interchangeable lens camera will be available in August for about $3200 at www.store.sony.com and a variety of Sony authorized dealers nationwide.
The α7R II is compatible with Sony’s growing lineup of α -mount lenses, which now totals 63 different models including 12 native ‘FE’ full frame lenses. By early 2016, Sony will add an additional 8 new lenses to its FE full frame lineup, bringing the FE total to 20 lenses and the overall α -mount assortment to 70 different models.
 
Interesting they explicitly state full readout in s35, which implies ff35 will line skip and alias but the question is how much... And how bad is rolling shutter in s35 if each frame readout is ~16MP?
 
It's a bit crippled - 100 Mbps in XAVC 4K - but looks a nice photo/video hybrid. I wonder if these two models break the dam on the sub-$4,000 4K units. Canon 5D MK IV should be next.
 
I wonder if the hdmi output is 10bit?
Probably not. They wouldn't forget boasting it.


The "extra-precise and smooth" tracking AF in video sounds interesting. Too bad there is no demo video for this.
Also curious about the rolling shutter in s35 mode. The "reduced rolling shutter" is all over the RX cameras announcements, but not a single word about it in the A7rII text...

Now, where is the A7sII? :)
 
I don't think anyone really needs the full extent of the A7S low light capabilities. It's nice to have, but the vast majority don't need to shoot people at a 50,000 ISO. That being said I am curious if a 42MP Full Frame sensor will be usable in low light situations. This new sensor is built on back lit technology which I think is a first on a full frame camera.

I believe Samsung was boasting that their APS-C sensor on the NX1 was the largest back lit sensor ever made.....looks like we have a new champion. Kind of a shame that they made the pixel count so high as there aren't any current lenses that can even resolve that high and low light functionality will suffer as a result. Seems like a waste.

A lower pixel count, 20-24 mp +/- would have been plenty for photos and with the back lit sensor it probably would have provided this camera with very good low light performance potential. Love the fact that the 5 axis stabilization is independent of the lens. I would love to see Kipon make a Canon EF to Sony E adapter with fast AF like they did for M4/3. An adapter with fast AF would turn this camera into a Still AND Video monster.

Very interested to hear and see more about this Camera
 
This new sensor is built on back lit technology which I think is a first on a full frame camera.
Yes. That's what they say in the release.


Kind of a shame that they made the pixel count so high as there aren't any current lenses that can even resolve that high and low light functionality will suffer as a result. Seems like a waste.
The new Batis and Loxia lines should do just fine with A7R MK II (if you find them in stock, that is) and they had also updated their zooms recently.
 
Wow, I was going to wait for the A7S Mark 2 (currently use an AX100 and A7S) but maybe this one will do just fine. I guess it remains to be seen if it reads the full sensor in 4k video mode, although the press release text seems to imply it when it says:

Data can also be output from the sensor at an approximately 3.5x faster rate compared to the original α7R.".

That's the only possible issue for me as I'm too used to the A7S's clean video image to go back to pixel binning, otherwise this camera seems just about perfect for me.

EDIT: Nevermind, I just read press release a but more closely and saw this:

In Super 35mm mode, the camera collects a wealth of information from approximately 1.8x as many pixels as 4K by using full pixel readout without pixel binning and oversamples the information to produce 4K movies with minimal moire and ‘jaggies’.

In full-frame mode, the α7RII utilizes the full width of the 35mm sensor for 4K recording, allowing users to utilize the expanded expressive power of the sensor. It is the world’s first digital camera to offer this in-camera full-frame format 4K recording capacity.

That sounds like it's still line skipping in full frame 4k video mode.
 
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Unrivaled 4K Movie Shooting Performance

The impressive video credentials of Sony’s new α7R II camera include the ability to record movies in 4K quality (QFHD 3840×2160) in either Super 35mm crop mode or full-frame mode.

In Super 35mm mode, the camera collects a wealth of information from approximately 1.8x as many pixels as 4K by using full pixel readout without pixel binning and oversamples the information to produce 4K movies with minimal moire and ‘jaggies’.


In full-frame mode, the α7RII utilizes the full width of the 35mm sensor for 4K recording, allowing users to utilize the expanded expressive power of the sensor. It is the world’s first digital camera to offer this in-camera full-frame format 4K recording capacity1.


The camera utilizes the advanced XAVC S7 codec during video shooting, which records at a high bit rate of 100 Mbps during 4K recording and 50 Mbps during full HD shooting.

Additionally, the α7RII model features a variety of functions to support a professional video workflow including Picture Profile, S-Log2 Gamma and S-Gamut, 120fps high frame rate movie shooting in HD (720p), time code, clean HDMI output and more.
http://www.sonyalpharumors.com/sony-a7rii-specs/

http://resourcemagonline.com/2015/0...sive-iso-and-internal-4k-video-capture/53885/
 
So, a "high end/pro" video will be shot in s35 probably, unless one wants a really shallow depth of field.

In any way, this is a major salvo from Sony. For $3,200, it is a spectacular buy (even with the 8-bit HDMI out).
 
Anyone want to buy a very clean GH4 :-D
I was thinking of the same thing but I have a feeling since Panasonic has UHS-II support in the new 4K G7 I bet the GH5 will also have UHS-II support and since UHS-II has 3x the data rate of UHS-I Panasonic could have C4K 60p with 300MB/s data rate in the GH5. I have two Lexar 2000x 64GB SDXC 300MB/s cards for my GH4 and the speed of my C4K uploads using the UHS-II USB 3.0 reader in my 6-core Mac Pro is super fast.
Screen Shot 2015-06-10 at 9.15.06 PM.jpg
As usual with compact-bodied mirrorless cameras like the G7, to access the battery and memory card you'll need to dig inside a dedicated compartment on the bottom of the grip. The G7 supports the new UHS-II standard, which allows faster read and write speeds.. A brave new world indeed.
17154861582_14c4a3afa2_o.jpg
 
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off topic but if UHS-II or micro P2 support in a GH5 could allow 10 bit 4:2:2 recording internally and they finally released V-Log it would be more competitive with this camera. right now the only advantages the GH4 have are better battery life, smaller lenses and VFR modes in 1080p.
 
I wish Sony had updated the battery. Uses the same one and you need 6 or more to get through a video shoot with the A7s.
 
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