720/60p quick test (slowed to 24p)

I'd like to see some slomo with 1/100 shutter. The narrow shutter makes it hard to judge.

BTW, "film... it's more fun" is nice.

-J
 
I'd like to see some slomo with 1/100 shutter. The narrow shutter makes it hard to judge.



-J

Slow-Mo + High Shutter is friggin' AWESOME on this camera, man. I honestly and SERIOUSLY leaning toward using 720/60P for everything. Never leaving that mode.
 
Kholi, you mean you'd shoot everything at 720p60, even for non-overcrank shots? Then do some work in post to either use the extra frames or discard them?
 
whoa whoa whoa look at that dynamic range 00:31-00:45 with the sun behind her, then tilts right down to the shadowy ground and exposure is still acceptable.
 
whoa whoa whoa look at that dynamic range 00:31-00:45 with the sun behind her, then tilts right down to the shadowy ground and exposure is still acceptable.
I was wondering when someone was going to bring that to the forefront. I had mentioned in another thread that it almost looked faked...like bluescreened. I saw an exact shot like that in the last Clint Eatwood trailer (forgot the name of the movie..."El Camino" I think) where the camera caught the same exact type of shot on Eastwood's face with the clouds behind him. I always thought that shot was cool looking...and then there is this.......... This looks just as good... Seriously.
 
I know Panasonic has a "keep faces well exposed against bright backgrounds" mode for stills, and I guess that's happening here, but the transition from that to the darker ground seems to happen without any transition. Maybe it would be more noticable in the original footage?
 
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> Slow-Mo + High Shutter is friggin' AWESOME

Yes, yes it is. But it's also not the norm for overcranking. I'd like to see some 60fps w/ a 180 degree shutter to help make an accurate comparison.

(although I don't really need to, I'm still gonna get one once they come in...!)
 
whoa whoa whoa look at that dynamic range 00:31-00:45 with the sun behind her, then tilts right down to the shadowy ground and exposure is still acceptable.

I was wondering when someone was going to bring that to the forefront. I had mentioned in another thread that it almost looked faked...like bluescreened. I saw an exact shot like that in the last Clint Eatwood trailer (forgot the name of the movie..."El Camino" I think) where the camera caught the same exact type of shot on Eastwood's face with the clouds behind him. I always thought that shot was cool looking...and then there is this.......... This looks just as good... Seriously.

Well they probably had a bounce board for Eastwood. Which even the smallest bounce here would just take the toddler shots to a whole-nutha-level
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