48 Hour Film Project, "Marathon"

Ben3308

Member
Hey guys! I've been a user here for a while and love reading up insightful DIY and filmmaking advice, but have never got around to posting anything, short of a few plugs for the GL2 and whatnot.

I saw a few other user threads concerning their 48 Hour Films, and thought I might as well post mine up.

My team's film is called "Marathon" and is the end product we conceived after getting stuck with the theme of 'sports'. We took it very generally, and set out to do something dramatic that would sort of stick with people. We're all teens in the 16-to-17-year-old age range, so we don't have too many resources, but we made do.

Marathon
(^click to watch^)

This film was written, shot, and edited in under 48 hours.

Shot on a Canon GL2 and edited in Vegas 6.

No adapters or anything special used.

Roughly 7 minutes in length.

I'm the cinematographer and director of this film, though nobody in my team tends to assume a written title. Luckily, though we turned this in 4 minutes late (the drop-off for the contest was 28 miles out of the city it was supposed to be based in) we still received a Best of City nomination, were awarded the Audience Award, and got to talk to the local reps about it showing other places. So it didn't end up all bad! :)

Some stills:

image45at6.jpg

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The film suffered from a bunch of issues during its production, including multiple visits by the police (who kindly asked us to leave several locations), a visit by the entire fire department, and a main actor pulling a life-threatening hernia on the first day of shooting. As with most filmmakers, these are all punches that one must roll with- especially during timed contests- so I'm not making excuses, just putting some things into perspective. We wanted to go very 'out there' and experimental with our filmmaking, and I think that came through. Some of the storytelling may seem contrived; this is likely because we had to change a great deal of the script last-minute due to the hernia issue with the main character.

Another few things about the film are the shots of the city and early-morning shots (once you watch the movie, that is) are meant to be references to the past, as part of parallel storytelling. A few people in the original audience didn't get this. Being a new city for the 48 hour project (Dallas) we were required to have at least one cityscape shot in there, so that's where the shots I'm speaking of come in. If you haven't seen the movie by the time you read this, then of course this will mean nothing to you, haha. ;)

All-in-all, I think our end result came out pretty decent and I hope you'll enjoy it!

Regards, Ben
 
I thought you're film was very well put together. The cinematography was excellent. I especially liked the performances. The production value did not suffer even with all the setbacks. I can sum my experience up in one word, Powerful.

Did you use any type of lighting or was it all natural light?
 
Thanks so much for the comments!

Unlike most all my other productions, where I try to do a lot of creative lighting, (check out my difficultly-lit 24 hour film 'Redemption' to see what I mean) "Marathon" was shot mostly without lighting, save a Last-o-lite reflector in the fight scene and an improvished metal trash can lid reflector in the "HELP ME!!" section.

I'm glad you don't think the production suffered, we tried our hardest to pull it together and get it done. It actually turned out better that the main actor, Brian ("Cover" in the credits, an homage to another film of mine) pulled his hernia which caused us to do the script switchover to him dying. The kid was originally supposed to die in his arms, but when the hernia happened it just made the most sense to make the person who's injured in real life be the one to die in the movie.

Well upon completing the film, Brian realized that his SAG-eligible status stipulated he not be involved in films where minors (the boy) are murdered. Otherwise, it jeopardizes his membership affiliation somehow, I guess. Luckily, everything turned out okay and the final film met all proper requirements for Brian to act in it.

I'm also glad you liked the cinematography! I helmed that with the major assisistance of a friend of mine who had just purchased a GL2 and was without any prior experience. All-in-all, I think he did a standout job on his shots and they work with mine to make the movie solid as a whole. The shooting is pretty "loose"- a change of pace to the coordinated movements of 'Redemption- but it fits the jostle of the 'running' genre.

One thing we really try to do our all of our crew's productions is attempt to make a highly dramatic, emotional, compelling ending, so I'm especially glad you found it 'powerful'.

Again, thanks for the review!
 
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Very nice film. I enjoyed it. Also, great cinematography and editing.

I love some of the narration and the images and sound that go with it, like when he says:

"You hear your heartbeat and for a moment it matches with the pace of your footfalls. The Rhythm coming more in tune with each landing step."
 
Glad everyone's enjoying this!

My twin brother edited this, as well as co-writing with the main actor. They always seem to come up with something philosophical and virtuous-sounding, which is usually pretty cool.
 
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