Forgive me if this has been answered 100 times. I've been searching other topics and now my brain is hurting.
I've noticed on a lot of DV films that the video look really becomes apparent as soon as slo mo is applied. What looks passably film like looks positively video in slo mo.
Does shooting 24pN add a significant film-like quality over shooting 24p on the DVX and using the pulldown method (me = newbie). This is my main question, actually, as this seems like it could be a great advantage over the DVX to attaining a film-look. Or do I misunderstand the point of 24pN?
AND, how does this apply to slo mo in camera? Does capturing 48 fps Native lend itself to more film-like slo mo when played back at 24?
Thanks.
I've noticed on a lot of DV films that the video look really becomes apparent as soon as slo mo is applied. What looks passably film like looks positively video in slo mo.
Does shooting 24pN add a significant film-like quality over shooting 24p on the DVX and using the pulldown method (me = newbie). This is my main question, actually, as this seems like it could be a great advantage over the DVX to attaining a film-look. Or do I misunderstand the point of 24pN?
AND, how does this apply to slo mo in camera? Does capturing 48 fps Native lend itself to more film-like slo mo when played back at 24?
Thanks.