Flintstone
Well-known member
I haven't had a chance to tackle progressive (24p or 30p) very much. The stuff I had to do in the past as always been 60i. I've tried toying with 24p a few times, but it appears way to strobby when monitored from the analog output of the camera.
I have seen 24p material shot with a DVX before, so obviously, I'm not doing things right; that's a given. I suppose Barry Green's book and DVD covers this from glass to glass? Any other insights?
I have seen 24p material shot with a DVX before, so obviously, I'm not doing things right; that's a given. I suppose Barry Green's book and DVD covers this from glass to glass? Any other insights?