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I have moved to an iMac for editing, and have two powerful machines for sale. One is 2x2.66 GHz dual, 1,1, and in perfect condition. The other, far more powerful, 2x3.33 GHz six-core (12 total), 5,1, with a catch: It comes without a graphics card or hard drives, and its fan runs too much when...

Ahh, Justin you beat me to it.

I am still trying to sell a few of my Litepanels fixtures, pictured here: http://imgur.com/a/118n3#0 1x1 Daylight Bi-Focus panel: $1,300 Inca 4 Fresnel: 1,200 They are both in perfect cosmetic condition and will ship in their original packaging. Please contact me with any offers or questions!

I just received a batch of wonderful Litepanels fixtures from another DVX user, and I don't need them all. 1x1 Bifocus, Daylight: http://www.bhphotovideo.com/c/product/1012480-REG/litepanels_903_2076_1_x_1_bi_focus.html This thing puts out a lot of light, and is notable for its ability to fade...

SOLD 2x basic omni-directional lavaliere mics for sale: http://i.imgur.com/Pp7Pu8G.jpg Here is an example of the sound they produce in an interview setting: https://vimeo.com/64555486 They have a 4-pin locking hirose collar to connect to Audio-Technica wireless transmitters or wired adapters...

Two used ATI Radeon HD graphics cards for sale that I used in my Mac Pro towers, pictured here: http://imgur.com/a/tVMfV#0 Both cards come equipped with 1x Dual-Link DVI and 2x mini-display ports. All necessary internal power cords are also included. ATI Radeon HD 5770: $200 obo...

I am having a really hard time seeing the difference that 10-bit is supposed to make for chroma-keying. EDIT: I don't actually mean 10-bit, I mean 4:2:2. Here are two screen-grabs at 400% from my NLE (Premiere) using Ultra Key's default settings for both. Can anyone else tell the difference...

I would like to buy a used Sony VCT-14 quick-release plate. Most importantly, it should have no play and NOT be the VCT-U14, which is a lighter-weight model. Thanks!

I am looking to create a remote interview setup on a shoestring, much like what newscasters have with their off-site correspondents. The interaction needs to be live, but the broadcast is not, so I don't have to worry about real-time compositing and keying. I have a lot of equipment and control...