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I gather that since Adobe Bridge is free, some people use it with software other than Adobe.

You can do a surprising amount with Microsoft File Explorer.

It really depends on how many of the programs listed that each user needs and the nature of the work they're doing.

I would qualify that if you're working in a collaborative environment, you may have to go with the flow with, for example AVID. Also, some people may not like editing with a particular NLE, they prefer other NLE(s) because of the way they think or they rather use nodes than layers. Certainly...

AI may be worth checking out, you can run a free test on some products, so you can check out how well it works.

You may have to use Affinity Publisher to open with the layers in the PSD files. I bought both Photo and Publisher to replace my old Photoshop.

There are now regular updates with fixes etc, which can be found here: https://forum.lwks.com/forums/product-releases.19/

The basic info can be found here: https://www.redsharknews.com/arri-announces-new-alexa-35-entry-model From Arri web site here: https://www.arri.com/en/camera-systems/cameras/alexa-35

Although, not directly to do with white balance, it may help explain the strange results from LEDs.

It's well worth having a check up for prostate cancer. I know someone who died from it without initially showing any symptoms. "Family Guy" had an episode on the subject, but more detailed information on checks can be found here...

While on a Steadicam shoot, I pulled my back pulling the cases out the hotel's valuables lock up cage. The only time my back was comfortable that day was when I was wearing and operating the Steadicam.

Bigger productions with larger crews don't mean a lighter work load. The hours can be long, possibly 12 or more hours a day and kit requirements can be larger and heavier. I know a BBC staff cameraman who is still working (mostly shooting news and sport) who is in his late 70s. He uses a 2/3...

What type of titles are you planning to undertake? Since credits may change, making the titles towards the end of post production is logical.

LWKS have released Lightworks V2025.1 (This was renamed from V2024.1 because of the late release) and is now available to download. https://forum.lwks.com/threads/new-lightworks-release-version-2025-1-revision-148287-now-available-to-download.251982/ There as been a lot of under the hood...

It's basically the same for many occupations, those questions apply to many industries, some more stressful than making films. Developing team work is usually the best solution, when it falls down you run into difficulties: https://www.atlassian.com/blog/teamwork/the-importance-of-teamwork

This article may be of interest: https://www.redsharknews.com/the-future-of-led-lighting-beyond-basic-illumination-and-blue

The way artists study colour may be of assistance, although it would also involve the art director and DP in the producing the final image: https://drawpaintacademy.com/a-comprehensive-guide-to-color-theory-for-artists/

What may be more important in practice for a DP (or DoP as we say in the UK) than knowing that light is a form of signal energy, is understanding colour theory. This is something that artists study (some deeper than others) and use in their paintings.

Everything is useful, it's how you apply it that may make a difference. It all depends on the nature of your subjects and where you film, on some street sense and psychology may be significant, while on others the knowledge of optics and light wave lengths, and on others animal behaviour and the...

An explanation of the 3 rod support systems is found here: https://thecinelens.com/2014/01/27/iris-rods-a-simple-explanation/