Recent content by vilrockerdefer

Of course I understand this perfectly. But I have to be honest, I would be glad to try and purchase your universal custom scene file separately but would you make it available ? Well because st5 rec709 is more contrasty, less flat, more punchy, more ready to broadcast. First, I need something...

I must admit they look clipped indeed. Maybe I should use HG3, as suggested in this relevant page, instead of relying on just turning back auto knee on ? Maybe both auto knee and HG3 ? Any suggestion more than welcome ! EDIT : For now, I just set the white clip to 100% and left the rest intact...

Hello, I've had unsatisfying results with the factory settings out of the box and for a long time I wanted to improve on that but didn't have much time. I usually use STD5 Rec709 in custom mode, but find that some colors are really bad, especially green from tree leaves for example. So I...

Hello, The title says it all pretty much. Specifically, before buying it, I was wondering if using the Tamron 28-75mm F2.8 Di III RXD on the FS7 would allow me to use the in-camera lens distortion compensation. Thanks...

Hello, A few months back I started to notice that my FS7 displays greener or yellowisher grass and leaves that what I would expect. I didn't pay too much attention to it until I shot something with an A7ii as a B-cam. Then by comparing the footages (the A7ii was set to Rec709, and the FS7 to...

To validate my claims, I tried ingesting my HG1 and HG3 (same scene, same exposure) into Speedgrade. I must say that the readings seem to match those of your chart. What is surprising is that, contrarily to what one might expect, the 100 IRE HG1 seems to have more dynamic range as 109 IRE HG3...

Hello, I read quite a lot of stuff relating to video levels, but here I am, still confused. I shoot for TV, where I need legal broadcast levels, and for Youtube, which apparently clips highlights above 100 IRE. I always grade, in Speedgrade. Should I use a hypergamma that goes to 100 IRE or...

Hello, I have been asked by a client (a web agency) to shoot their offices, and they specifically asked if they would be able to process selected individual frames as RAW images in Photoshop. The problem is, I don't know anything about RAW video, and nothing either about extracting RAW stills...

Hello, I don't have a V-lock battery to test but there is still quite plenty of room.