https://web.archive.org/web/20151017045143/http://www.vinten.com/en/node/8295/2002/news/14868
Would anyone who had the chance to work with those two sticks be kind to share their experience and compare them?
I'm really proud that there is no Canon R3 topic on this forum.
It could mean that you guys are too busy shooting and dealing with imminent production issues and problems.
Or this forum is ...
CRL isn't that demanding.
Here are graphs of CPU and GPU utilization using Canon's Cinema RAW Development 2.6 with full quality full screen settings on on-set dailies playback station:
It's bumping CPUs to 3.4 GHz and using ~50% of processing power evenly distributed across all logical...
Sony offered VCT-FSA5 from the start.
F55 came quite 0K, if you remember FS700 with HXR-IFR interface and R5 attached.
For two channel slot-in wireless audio, just use DWA-01D digital wireless receiver adaptor.
I use it on with switch set to AES/EBU, both on adaptor and my CANON camera.
+1
Smoke and haze don't play nice in less then ideal reproduction environment.
DJ lights look cheep when using auto mode which demos all the possibilities. They usually have dmx interface, so spend some time to program few seqences and have someone driving them to follow the song.
Regarding...
Just prepare a good story, sketch it on a paper and everything else will come naturally as you follow the storyboard.
Since this is team sport, include as many as you can to contribute to your vision.
Don't forget to have a party after the shooting.
So, there is solution for photography products, but none for video products?
Typical Canon.
I guess 1Gbps Ethernet is too fast to implement that function on C series.