Do you need a "24p" deck to capture stuff shot in 24p mode?
I plan on getting a deck soon. Does Panasonic make a reliable prosumer deck that works hand-in-hand with the DVX-100?
Is there a general rule of thumb regarding sound levels for a final product? Obviously, you don't want your levels to ever go into the red. Is there a range on the meter where your sound levels should stay throughout the piece? I'm asking because I have source audio that needs to be bumped up...
Been shooting a documentary on the DVX-100. Most of it is run and gun, primarily outside, during the day.
First inquiry — there are two setting for zebras — what's the difference between them? And which should I use? In the bright sun, I don't trust what I see on the LCD or the view finder, so...
I'm working on a documentary using the DVX-100. We're shooting the whole thing in 24p. Is there any magic bullet to solving the chunky slo-mo problem? I want to apply slow-motion to some footage we already shot in 24p. Am I screwed?