5 Favorite Movie Monologues

Batutta

Major Contributor
Here are my five favorite movie speeches, in no particualr order--

1. Patton - Opening Scene

Be seated. Now I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country. Men, all this stuff you've heard about America not wanting to fight - wanting to stay out of the war, is a lot of horse dung. Americans traditionally love to fight. All real Americans love the sting of battle. When you were kids, you all admired the champion marble shooter, the fastest runner, big league ball players, the toughest boxers. Americans love a winner and will not tolerate a loser. Americans play to win all the time. I wouldn't give a hoot in hell for a man who lost and laughed. That's why Americans have never lost and will never lose a war, because the very thought of losing is hateful to Americans. Now, an army is a team - it lives, eats, sleeps, fights as a team. This individuality stuff is a bunch of crap...The bilious bastards who wrote that stuff about individuality for the Saturday Evening Post don't know anything more about real battle than they do about fornicating. Now, we have the finest food and equipment, the best spirit, and the best men in the world. You know, by god, I actually pity those poor bastards we're goin' up against. By god, I do. We're not just gonna shoot the bastard, we're going to cut out their living guts and use them to grease the treads of our tanks. We're going to murder those lousy Hun bastards by the bushel. Now, some of you boys, I know, are wondering whether or not you'll chicken out under fire. Don't worry about it. I can assure you that you will all do your duty. The Nazis are the enemy. Wade into them, spill their blood, shoot them in the belly. When you put your hand into a bunch of goo that a moment before was your best friend's face, you'll know what to do. Now there's another thing I want you to remember. I don't want to get any messages saying that we are holding our position. We're not holding anything. Let the Hun do that. We are advancing constantly and we're not interested in holding onto anything except the enemy. We're going to hold onto him by the nose and we're gonna kick him in the ass. We're gonna kick the hell out of him all the time and we're gonna go through him like crap through a goose. Now, there's one thing that you men will be able to say when you get back home, and you may thank god for it. Thirty years from now when you're sitting around your fireside with your grandson on your knee, and he asks you: 'What did you do in the Great World War II?', you won't have to say: 'Well, I shoveled s--t in Louisiana.' All right now, you sons-of-bitches, you know how I feel and I will be proud to lead you wonderful guys into battle anytime, anywhere. That's all.

2. Jaws - Quint’s Indianapolis Speech

Japanese submarine slammed two torpedoes into our side, Chief. We was comin' back from the island of Tinian to Leyte... just delivered the bomb. The Hiroshima bomb. Eleven hundred men went into the water. Vessel went down in 12 minutes. Didn't see the first shark for about a half an hour. Tiger. 13-footer. You know how you know that when you're in the water, Chief? You tell by looking from the dorsal to the tail. What we didn't know, was our bomb mission had been so secret, no distress signal had been sent. They didn't even list us overdue for a week. Very first light, Chief, sharks come cruisin', so we formed ourselves into tight groups. You know, it was kinda like old squares in the battle like you see in the calendar named "The Battle of Waterloo" and the idea was: shark comes to the nearest man, that man he starts poundin' and hollerin' and screamin' and sometimes the shark go away... but sometimes he wouldn't go away. Sometimes that shark he looks right into ya. Right into your eyes. And, you know, the thing about a shark... he's got lifeless eyes. Black eyes. Like a doll's eyes. When he comes at ya, doesn't seem to be living... until he bites ya, and those black eyes roll over white and then... ah then you hear that terrible high-pitched screamin'. The ocean turns red, and despite all the poundin' and the hollerin', they all come in and they... rip you to pieces. You know by the end of that first dawn, lost a hundred men. I don't know how many sharks, maybe a thousand. I know how many men, they averaged six an hour. On Thursday morning, Chief, I bumped into a friend of mine, Herbie Robinson from Cleveland. Baseball player. Boatswain's mate. I thought he was asleep. I reached over to wake him up. Bobbed up, down in the water just like a kinda top. Upended. Well, he'd been bitten in half below the waist. Noon, the fifth day, Mr. Hooper, a Lockheed Ventura saw us. He swung in low and he saw us... he was a young pilot, a lot younger than Mr. Hooper. Anyway, he saw us and he come in low and three hours later a big fat PBY comes down and starts to pick us up. You know that was the time I was most frightened... waitin' for my turn. I'll never put on a lifejacket again. So, eleven hundred men went in the water; 316 men come out and the sharks took the rest, June the 29th, 1945. Anyway, we delivered the bomb.

3. Pulp Fiction - The gold watch speech

Hello, little man. Boy, I sure heard a bunch about you. See, I was a good friend of your Daddy’s. We were in that Hanoi pit of hell over five years together. Hopefully, you’ll never have to experience this yourself, but when two men are in a situation like me and your Daddy were, for as long as we were, you take on certain responsibilities of the other. If it had been me who had not made it, Major Coolidge would be talkin’ right now to my son Jim. But the way it worked out is I’m talkin’ to you, Butch. I got somethin’ for you. [The Captain pulls a gold wrist watch from his pocket] This watch I got here was first purchased by your great-granddaddy.

It was bought during the First World War in a little general store in Knoxville, Tennessee. It was bought by private Doughboy Erine Coolidge the day he set sail for Paris. It was your great-granddaddy’s war watch, made by the first company to ever make wrist watches. You see, up until then, people just carried pocket watches. Your great-granddaddy wore that watch every day he was in the war. Then when he had done his duty, he went home to your great-grandmother, took the watch off his wrist and put it an ol’ coffee can. And in that can it stayed ’til your grandfather Dane Coolidge was called upon by his country to go overseas and fight the Germans once again.

This time they called it World War Two. Your great-granddaddy gave it to your granddad for good luck. Unfortunately, Dane’s luck wasn’t as good as his old man’s. Your granddad was a Marine and he was killed with all the other Marines at the battle of Wake Island. Your granddad was facing death and he knew it. None of the other boys had any illusions about ever leavin’ that island alive. So three days before the Japanese took the island, your 22-year old grandfather asked a gunner on an Air Force transport named Winocki, a man he had never met before in his life, to deliver to his infant son, who he had never seen in the flesh, his gold watch.

Three days later, your grandfather was dead. But Winocki kept his word. After the war was over, he paid a visit to your grandmother, delivering to your infant father, his Dad’s gold watch. This watch. This watch was on your Daddy’s wrist when he was shot down over Hanoi. He was captured and put in a Vietnamese prison camp. Now he knew if the gooks ever saw the watch it’d be confiscated. The way your Daddy looked at it, that watch was your birthright. And he’d be damned if any slopeheads were gonna put their greasy yella hands on his boy’s birthright. So he hid it in the one place he knew he could hid something. His ass. Five long years, he wore this watch up his ass. Then when he died of dysentery, he gave me the watch. I hid this uncomfortable hunk of metal up my ass for two years. Then, after seven years, I was sent home to my family. And now, little man, I give the watch to you.

4. Network - Howard Beale’s 1st Rant

I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's work, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, Goddamnit! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!"

5. Godfather - Bonasera’s opening speech

I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom, but -- I taught her never to dishonor her family. She found a boyfriend; not an Italian. She went to the movies with him; she stayed out late. I didn't protest. Two months ago, he took her for a drive, with another boyfriend. They made her drink whiskey. And then they tried to take advantage of her. She resisted. She kept her honor. So they beat her, like an animal. When I went to the hospital, her nose was a'broken. Her jaw was a'shattered, held together by wire. She couldn't even weep because of the pain. But I wept. Why did I weep? She was the light of my life -- beautiful girl. Now she will never be beautiful again. (Bonasera breaks down) Sorry...I -- I went to the police, like a good American. These two boys were brought to trial. The judge sentenced them to three years in prison-- suspended sentence. Suspended sentence! They went free that very day! I stood in the courtroom like a fool. And those two bastard, they smiled at me. Then I said to my wife, "for justice, we must go to Don Corleone."
 
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I think this one is perfect. It is a superbly acted scene

Waking the Dead - Fielding Pierce

There's something that I think I should tell you all. I'm not feeling very well. And I haven't been for a while. Something inside me has jumped the track. I'm confused. I'm not thinking right. I'm not sleeping right. And I- Just don't think I am complaining about this or asking for your help. Because there's nothing anyone can do about it. It's just happened and that's all there is to it. But I don't know what I'm going to say from one minute to the next. I really don't. I don't know what I'm going to say and I don't know what I'm going to do. Do you understand that? And I know this is coming at a bad time for everyone but there's nothing I can do about that. I'm tired and I'm- I don't see things the way that I used to. Everything, everything, everything is f*ing strange and it's all completely out of control and I'm frightened. And maybe if you all could give me some real help, you know? That would be- And not your pity or generosity but some help; Take a look at me. I know that I am ruining everything but I can't- If I don't say this now I may never say it. Everything is going very fast. It's going very, very fast. It's completely out of control. And if I don't say it today, tomorrow may be too late. I may be too crazy to even know how crazy I am. I don't know what to do. I don't know what to do. Something has happened to me and I'm very lost. And it doesn't stop. It's not getting better. I don't get better. I'm not getting better. It's just going on and it's going on. And there's nothing that I can do about it. It's not stopping. It's not stopping.
 
Another:

The Simpsons - Homer Simpson

Look, Marge, you don't know what it's like. I'm the one out there every day putting his ass on the line. And I'm not out of order! You're out of order. The whole freaking system is out of order. You want the truth? You want the truth?! You can't handle the truth! 'Cause when you reach over and put your hand into a pile of goo that was your best friend's face, you'll know what to do! Forget it, Marge, it's Chinatown!
 
Roy Batty ("Blade Runner")
I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched c-beams ... glitter in the dark near Tanhauser Gate. All those ... moments will be lost ... in time, like tears ... in rain. Time ... to die.
 
Here are my five favorite movie speeches, in no particualr order--


3. Pulp Fiction - The gold watch speech


Three days later, your grandfather was dead. But Winocki kept his word. After the war was over, he paid a visit to your grandmother, delivering to your infant father, his Dad’s gold watch. This watch. This watch was on your Daddy’s wrist when he was shot down over Hanoi. He was captured and put in a Vietnamese prison camp. Now he knew if the gooks ever saw the watch it’d be confiscated. The way your Daddy looked at it, that watch was your birthright. And he’d be damned if any slopeheads were gonna put their greasy yella hands on his boy’s birthright. So he hid it in the one place he knew he could hid something. His ass. Five long years, he wore this watch up his ass. Then when he died of dysentery, he gave me the watch. I hid this uncomfortable hunk of metal up my ass for two years. Then, after seven years, I was sent home to my family. And now, little man, I give the watch to you.

."

Fantastic.
 
Henry Hill (Goodfellas):
We had it all, just for the asking. Our wives, mothers, kids, everybody rode along. I had paper bags filled with jewelry stashed in the kitchen. I had a sugar bowl full of coke next to the bed. Anything I wanted was a phone call away. Free cars. The keys to a dozen hideout flats all over the city. I'd bet twenty, thirty grand over a weekend and then I'd either blow the winnings in a week or go to the sharks to pay back the bookies. Didn't matter. It didn't mean anything. When I was broke I would go out and rob some more. We ran everything. We paid off cops. We paid off lawyers. We paid off judges. Everybody had their hands out. Everything was for the taking. And now it's all over. And that's the hardest part. Today, everything is different. There's no action. I have to wait around like everyone else. Can't even get decent food. Right after I got here, I ordered some spaghetti with marinara sauce and I got egg noodles and ketchup. I'm an average nobody. I get to live the rest of my life like a schnook.

Marge Gunderson (Fargo): So that was Mrs. Lundegaard on the floor in there. And I guess that was your accomplice in the wood chipper. And those three people in Brainerd. And for what? For a little bit of money. There's more to life than a little money, you know. Don't you know that? And here ya are, and it's a beautiful day. Well, I just don't understand it.

Isaac Davis (Manhattan):
Chapter One. He adored New York City. He idolized it all out of proportion - er, no, make that: he - he romanticized it all out of proportion. - Yes. - To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. - Er, tsch, no, missed out something. - Chapter One. He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles. - No, no, corny, too corny for a man of my taste. Can we ... can we try and make it more profound? - Chapter One. He adored New York City. To him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in ... - no, that's a little bit too preachy. I mean, you know, let's face it, I want to sell some books here. - Chapter One. He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage ... - Too angry. I don't want to be angry. - Chapter One. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat. - I love this. - New York was his town, and it always would be ...

Blake (Glengarry Glenross):
Let's talk about something important!...Do you think I'm f--kin' with you? I am not f--kin' with you. I'm here from downtown. I'm here from Mitch and Murray. And I'm here on a mission of mercy...The bad news is you've got, all of you got, just one week to regain your jobs, starting tonight. Starting with tonight's sit. Oh, have I got your attention now? Good. 'Cause we're adding a little something to this month's sales contest. As you all know, first prize is a Cadillac Eldorado. Anybody want to see second prize? Second prize's a set of steak knives. Third prize is you're fired. You get the picture? You laughing now? You got leads. Mitch and Murray paid good money. Get their names to sell them! You can't close the leads you're given, you can't close s--t, you are s--t. Hit the bricks, pal, and beat it 'cause you are going out!...And your name is 'you're wanting.' And you can't play in a man's game. You can't close them, then go home and tell your wife your troubles. Because only one thing counts in this life! Get them to sign on the line which is dotted! You hear me, you f--king faggots? A-B-C. A-always, B-be, C-closing. Always be closing! Always be closing! A-I-D-A. Attention, interest, decision, action. Attention: do I have your attention? Interest: are you interested? I know you are 'cause it's f--k or walk. You close or you hit the bricks! Decision: have you made your decision for Christ?! And action. A-I-D-A. Get out there! You got the prospects comin' in. You think they came in to get out of the rain? A guy doesn't walk on the lot unless he wants to buy. Sitting out there waiting to give you their money! Are you gonna take it? Are you man enough to take it?... And you're nothing. Nice guy? I don't give a s--t. Good father? F--k you! -- go home and play with your kids!! You wanna work here? Close!! You think this is abuse? You think this is abuse, you cocksucker? You can't take this -- how can you take the abuse you get on a sit?! You don't like it -- leave. I can go out there tonight with the materials you got, make myself fifteen thousand dollars! Tonight! In two hours! Can you? Can you? Go and do likewise! A-I-D-A!! Get mad! You sons of bitches! Get mad!! You know what it takes to sell real estate? It takes brass balls to sell real estate. Go and do likewise, gents. The money's out there, you pick it up, it's yours. You don't -- I have no sympathy for you. You wanna go out on those sits tonight and close. Close! It's yours. If not, you're gonna be shinin' my shoes. And you know what you'll be sayin', a bunch of losers sitting around in a bar: "Oh yeah, I used to be a salesman, it's a tough racket." (He displays a large stack of red index cards tied together with string) These are the new leads. These are the Glengarry leads. And to you, they're gold, and you don't get them. Why? Because to give them to you is just throwing them away. They're for closers. I'd wish you good luck but you wouldn't know what to do with it if you got it. And to answer your question, pal: 'Why am I here?' I came here because Mitch and Murray asked me to. They asked me for a favor. I said, the real favor, follow my advice and fire your f--king ass because a loser is a loser
 
Off the top of my head:


Full Metal Jacket – Sergeant Hartman in the opening scene.


American Beauty – At the end after Kevin Spacey “crosses over”.


Repo Man – Plate of Shrimp!! Funny. Very funny.


Interview with a Vampire – Opening scene with Brad Pitt telling Christian Slater that he is in fact a vampire.


House of Games – In the pool hall House of Games when Lindsay Crouse meets Joe Mantegna and he ask for her help and tells her what a tell is.

I know some of these are not true monologues but it's the best I could come up with...
 
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Roy Batty ("Blade Runner")
I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched c-beams ... glitter in the dark near Tanhauser Gate. All those ... moments will be lost ... in time, like tears ... in rain. Time ... to die.


I would add this to my list as well. :thumbup:
 
I used to do this one for auditions back in high school. People thought it was awkward when a seventeen year old was dropping Pacino-bombs.

The Devil's Advocate - Tight-Ass Monologue

Milton - Who are you carrying all those bricks for? God!? Is that it? Well, I tell ya, let me give you a little inside information about God. He likes to watch. He's a prankster. Think about it. He gives man instincts! He gives you this extraordinary gift, and then what does he do, I swear for his own amusment, his own private, cosmic gag reel, he sets the rules in opposition. It's the goof of all time. Look but don't touch. Touch, but don't taste! Taste, don't swallow. Ahaha! And when you're jumpin' from one foot to the next, what is he doing? He's laughin' his sick, ****in' ass off. He's a tight-ass! He's a sadist! He's an absentee landlord. Worship that? Never!

Kevin - Better to reign in Hell than to serve in heaven...is that it?

Milton - Why not? I'm here on the ground with my nose in it since the whole thing began. I've nurtured every sensation man's been inspired to have. I cared about what he wanted and I never judged him. Why? Because I never rejected him. In spite of all his imperfections, I'm a fan of man! I'm a humanist. Maybe the last humanist.
 
Im not a actor but I thought that was the part of the Devils advocate which I felt Pacino didn't deliver.
Where as in Scent of woman .He was spot on everytime.
Any chance of loading an audiofile :)
 
For me its :
First Blood:
Where Richard Crenna talks about how good John Rambo is.
I believe every action trailer for the next 20years was based on that scene.

and

Rambo: Im coming to get you. Scene .
Not much said but it felt really good.

Opening scene of Lord of the Rings Fellowship of the ring , but I dont think that counts.
 
Another great one from Network was the "you have meddled with the primal forces of nature" speech. Great stuff.
 
damn, i'm not gonna type it, but my favorite is Dennis Hopper in True Romance, when he's giving his input to Christopher Walken about where Sicilians came from, right after he asks for his last cigarette.

also the first time (i was only 16 when it came out) i noticed the close-up sound of a drag off a cig...very cool enhancement when used right.
 
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