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my question is...can you edit natively in FCP? without rendering the timeline?
Yeah, you can make a cut, and that's it. If you have to do any dissolves or color correcting, etc, you'll have to render.
Here's something on the subject matter:I have a question. Most the footage I've seen from the MK2 looks pretty high contrast but I've seen people say that there are ways to adjust the settings. Are there any examples of less contrasty footage? Do we know what the widest latitude is on this cam?
Any chart tester volunteer?Do we know what the widest latitude is on this cam?
Any chart tester volunteer?
You're welcome! Here's another informative enlightenment-post succeeding the first ones also from there:Thanks for the links Emanuel. That dvinfo thread (...)
It does seem it's not 1080p.Has anybody tried the capture the footage via the HDMI output on the camera.
I heard somebody say that viewing on an HDMI monitor you will see all the settings and stuff on the camera, but if you can get those off the screen or if they are not their on playback you could capture the footage with a Blackmagic HDMI card and then you could be capturing the footage at what ever compression you want (Pro-res, DVCpro, uncompressed)
You're welcome! Here's another informative enlightenment-post succeeding the first ones also from there:
http://www.dvinfo.net/conf/987219-post20.html
It does seem it's not 1080p.
I don't have the camera either, yet. Thanks anyways for your correction. If confirmed, they're different women indeed.This is not entirely correct from what I understand (although I do not own a body yet). When RECORDING, it puts out a downrezzed signal with overlays, but during PLAYBACK it puts out the full signal without overlays. I believe there's already a bunch of people using this method now. So, record normally to CF, then capture the playback off the cam's HDMI after-the-fact and you're golden. On the one hand, it kind of sucks you can't capture during filming, which might reduce one step in the workflow. But on the other hand, you can just capture to CF in the field, no need for tons of extra gear, and just capture on your workstation later.(...)
It does seem it's not 1080p.Has anybody tried the capture the footage via the HDMI output on the camera.
I heard somebody say that viewing on an HDMI monitor you will see all the settings and stuff on the camera, but if you can get those off the screen or if they are not their on playback you could capture the footage with a Blackmagic HDMI card and then you could be capturing the footage at what ever compression you want (Pro-res, DVCpro, uncompressed)
Another helpful tip from the same source:Thanks for the links Emanuel. That dvinfo thread (...)
You're welcome! Here's another informative enlightenment-post succeeding the first ones also from there:
http://www.dvinfo.net/conf/987219-post20.html
(...)
So, record normally to CF, then capture the playback off the cam's HDMI after-the-fact and you're golden. On the one hand, it kind of sucks you can't capture during filming, which might reduce one step in the workflow. But on the other hand, you can just capture to CF in the field, no need for tons of extra gear, and just capture on your workstation later.
You can export directly to a 1080p display.Why would you do this ?
What is the purpose - rather than simply transferring the footage directly from the CF card to your computer ?
yeah but what's the point with *capturing* that way? a lot of people say they need a better codec for editing when doing such things, which is a valid point but i'm pretty sure it would be at last as fast and probably give you better quality to do it on the files, and you can do it without the camera, and it will preserve the timecode (sort of) if you ever need to go back to the originals.
/matt