Corrado Part II

I am so glad you are back i read every freaking page of the last thread you had open and you have inspired my brother and I in many ways. We have started making a feature a reality. And most of it is from reading your former thread. Thank You so much man.
God bless,
Pauly

It's my pleasure Pauly.
 
I too must admit I do enjoy the way you break it all down. I want to see the film. I have to get some cash because there's a lot of DVXUser films I want to check out.

-Nate
 
Hate to sound negative, but is Corrado already dead?

It sounds like it's already in the $3.99 discount bin before it's been sold? The change in emphasis here appears as abandonment; that's a shame to get so far and then let the battery die. The DVD market is 3 times the film market, that's nothing to get sour about. A serious push might keep it alive and let it find an audience. A way to look at this, is to figure out how will it build toward a viable career for yourself after five or six projects.

Keep your eye on the ball, don't let your projects become orphans, go find the film a home.
 
141 tips to go through. this is gonna take longer than BOTH Corrado threads, but well worth it! kudos to you both. :beer:
 
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Hate to sound negative, but is Corrado already dead?

It sounds like it's already in the $3.99 discount bin before it's been sold? The change in emphasis here appears as abandonment; that's a shame to get so far and then let the battery die. The DVD market is 3 times the film market, that's nothing to get sour about. A serious push might keep it alive and let it find an audience. A way to look at this, is to figure out how will it build toward a viable career for yourself after five or six projects.

Keep your eye on the ball, don't let your projects become orphans, go find the film a home.

Dead? No way!

My prospects for selling have always been good, and there isn't much for me to do now except wait, since it's fate is more or less in the hands of others right now. I always need something to occupy my mind and make me feel productive, so it's a natural now that I'm thinking of my next film.

Corrado is also very, very close to fulfilling my goals for the project. It was never about fame or an audience; Corrado is a product that was intended to get a good DVD distribution deal and return money for it's investors.

It also came out being a good film - what else can I ask for?
 
Dead? No way!

My prospects for selling have always been good, and there isn't much for me to do now except wait, since it's fate is more or less in the hands of others right now. I always need something to occupy my mind and make me feel productive, so it's a natural now that I'm thinking of my next film.

Corrado is also very, very close to fulfilling my goals for the project. It was never about fame or an audience; Corrado is a product that was intended to get a good DVD distribution deal and return money for it's investors.

It also came out being a good film - what else can I ask for?

Oh GOOD! I got worried, thought you had gotten discouraged. There is a ton to learn/know in the distribution-exhibition phase. This is the area that really kills off indies.

best of wishes!
 
141 tips to go through.

If that's about my site, there are around 360 tips in rotation - and old ones are rewritten all of the time (like Monday's) and new ones are written all of the time. In between, it's reruns - but probably a tip you haven't read in over a year. Gotta do a little screenwriting to earn a living and pay for the website.

- Bill (currently writing the remake of a hit 80s film)
 
Hey Bill, great! We've never met, but I used to read your blog really frequently. It indirectly prompted me to make my film, Corrado, and to blog about it here. I've never actually got a chance to talk to you. I constantly receive e-mails thanking me for my blog and people stating what an inspiration I've been.....I'm so happy to finally be able to tell you what an inspiration you've been, publicly.

Thank you, sir!

All others, heed this man - he's got something like 20 feature length scripts produced!!!!

Hey, quick, someone get this guy a martini and some appetizers. Bill Martell in the house! He's got something like 4,000 produced scripts and has a ton of screenwriting/movie info on his site.

Let's put a little something in his martini, oh and Bill, this is my friend Raven, mind if she shares your table?
 
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actually, I read THE UNK and have been for a good two years or so. I'm a subscriber and the most recent blog made me think of Corrado.

What do you think of it, Adam?
 
actually, I read THE UNK and have been for a good two years or so. I'm a subscriber and the most recent blog made me think of Corrado.

What do you think of it, Adam?

If you are referring to Unk's general disdain for mafia scripts, then he's more or less right. There's a profusion of them out there, I've read many. It basically boils down to premises we've seen before and usually endemic to action films.

In action movies, there are usually good guys and bad guys. The bad guys usually are criminals, and it's an easy stretch to associate them with organized crime or the mafia.

Corrado, in relation to this topic, is your average mob type story, although I've been told that it incorporates many different angles (I made it this way). Honestly, I think Unk would think the Corrado's script is probably just average. Corrado isn't really breaking any new ground.

Having said that, Unk is always writing from a position of getting someone to greenlight his material - the difference here is that I greenlight my own material - I don't "get a pass" on my own work.

Another thing about Unk is this; although I like his script advice more or less, it's pure theory to me. He seems utterly devoid of any commercial success or real life experience. I think he blogs more than he works, which is why I prefer Martell - who actually writes scripts that get made into actual movies, on a regular basis.
 
To be fair, we have no idea who "Unk" really is. While William C Martell is also another source for information, "Unk" may have outstanding credits. We wouldn't know because his identity is kept secret.

You do have a point on what his advice is geared toward: success or being "greenlit. Having your production greenilit, anyway. I tend to agree with a lot of what he says and his approach to the breakdown of script elements, why some may work and why some do not along with a disclaimer on every process being different.
 
If you don't have money or if you can't get money, it doesn't matter how well you analyze and even how well you write; those who make movies are the ones who have the money or know how to convince movie investor types to shell out the money. However, the ones who make it are the ones who have a commercial script (like Corrado) and produce a professional film (like the ones playing in your local cinema house.) After this it gets complicated.... :-)
 
Check this out...this totally shows how execution trumps genre expectations. I received this today from a distributor I had sent a query e-mail to:

"Thanks for your email. We don’t usually handle films involving the mob and/or crooked cops but your trailer looks very good and you have a nice cast. I’d be happy to take a look at a screener. Please send it to my attention at:"

Execution is key........
 
Entire film with a runner at the bottom every 5 - 10 minutes that says "Not for Retail Sale".

-Nate
 
Exactly.

Mine says "Property of Taormina Films, LLC - For screening purposes only"

I used to live in SE Asia, in places where the ONLY DVD's for sale were pirated. A lot of them had that verbiage scrolling by. They'd even show them on ferry boats and charge people to watch. The funniest scroll bys were the ones saying something like "If you're watching this in a commercial venue please report it to 1-800 blah blah". No respect for Hollywood in the developing world.
 
I used to live in SE Asia, in places where the ONLY DVD's for sale were pirated. A lot of them had that verbiage scrolling by. They'd even show them on ferry boats and charge people to watch. The funniest scroll bys were the ones saying something like "If you're watching this in a commercial venue please report it to 1-800 blah blah". No respect for Hollywood in the developing world.

Very true. At the very least you try to not to make it easy for them, like sending an untagged dvd out.
 
Way of the Gun was on eBay for $2.99. I got it and it was tagged. Obviously the video store was selling their screener copies. To this day my screeners say "© TimeCode Mechanics Not for Resale." The irony being it didn't help them much. LOL. This was a VHS screener too which I think is unheard of now.

-Nate
 
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