Canon AVCHD 24p Hf10 footage:
Since the 24p is in a 29.97 60i stream: Tried two procedures. Method one was to log and transfer to Prores then going to compressor to reverse telecine footage following part of apples document on the HV20 procedure here:
http://docs.info.apple.com/article.html?artnum=306389
And method two was to import using log and transfer to Prores then taking into cinema tools to reverse telecine but this method you have to determine cadence which is a pain.
Can anyone confirm which is the best approach to reverse telecine Canon 24p AVCHD footage in Final cut 6.0.3. Method one you don't have to figure out cadence but I've already prores-ed the footage in log and transfer and this seems to be compressing twice.
Method two is a pain to determine cadence for each shot but its quick and easy otherwise and doesn't compress twice.
For those interested I'm using a macbook pro core 2duo 2.3 Ghz , 2GB Ram, and the log and transfer to Prores is really quick and easy. In the timeline I've put multiple clips with cross dissolves with no hiccups at all. All the noise about AVCHD being difficult to edit and convert is BS. I've had no problems except for this reverse lelecine issue which can be done but there is no confirmation on the proper approach.
Both methods looked great. Love this cam, footage looks great, but since I haven't seen this footage on a quality monitor I'm curious if one method is better than the other.
thanks
Since the 24p is in a 29.97 60i stream: Tried two procedures. Method one was to log and transfer to Prores then going to compressor to reverse telecine footage following part of apples document on the HV20 procedure here:
http://docs.info.apple.com/article.html?artnum=306389
And method two was to import using log and transfer to Prores then taking into cinema tools to reverse telecine but this method you have to determine cadence which is a pain.
Can anyone confirm which is the best approach to reverse telecine Canon 24p AVCHD footage in Final cut 6.0.3. Method one you don't have to figure out cadence but I've already prores-ed the footage in log and transfer and this seems to be compressing twice.
Method two is a pain to determine cadence for each shot but its quick and easy otherwise and doesn't compress twice.
For those interested I'm using a macbook pro core 2duo 2.3 Ghz , 2GB Ram, and the log and transfer to Prores is really quick and easy. In the timeline I've put multiple clips with cross dissolves with no hiccups at all. All the noise about AVCHD being difficult to edit and convert is BS. I've had no problems except for this reverse lelecine issue which can be done but there is no confirmation on the proper approach.
Both methods looked great. Love this cam, footage looks great, but since I haven't seen this footage on a quality monitor I'm curious if one method is better than the other.
thanks