I would also point out that pretty much everyone hates Muzak, even that which is nearly identical to the original song, but without the lyrics.
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I get what you're saying, but . . . all those people who love the music of songs they don't understand a word of are missing out on a component of a song, whether they know they are or not.
The words take a song to a different level. They get you to think about things that the music alone doesn't. As such, they can elevate a song to a greatness it wouldn't otherwise have.
They can also take an otherwise agreeable song and grind it into the dirt.
I guess I respond more to ideas than I do to emotion, so lyrics are very important to me.
Now, when you add emotion TO idea, then you get something that's more than both. Not having the lyrics robs you of that. Part of the "art form" is indeed marrying the spoken ideas with the feeling of the music, and if you don't have both, you don't have the full force of the art.
Note, too, that you can strike a very meaningful artistic contrast between the words of a song and the feeling of the music. Some of Elvis Costello's strokes of absolute genius involve taking an upbeat, happy tune and telling a story that's morbid and dark, and that exact contrast is what makes the song work so well. If you can't understand the words, or if you don't pay any attention to them, you think it's something very much other than what it is, and you miss the point of the song's existence in the first place.
Look, maybe it's not that important to you. But I strongly disagree that the lyrics are superfluous to the song in all but rare cases. It simply isn't so. If it were, no one would bother to write words.
I would also point out that pretty much everyone hates Muzak, even that which is nearly identical to the original song, but without the lyrics.
That's not why people hate Muzak - a more fair comparison would be an INSTRUMENTAL version of a song... and those are frequently wildly popular. But your comparison makes me fear greatly that we are talking past each other - I never claimed that you can dispense with the human voice or words - just that the lexical meaning is not the key factor. YES, it's important that the singer sing a song with words (or scat!) - but the exact meaning of his words is not a factor in the vast majority of cases... as this thread illustrates - people were totally fine with lyrics they didn't understand or misunderstood!
I understand perfectly what you are saying. However, what I'm claiming is that with RARE exceptions, this is an illusion based on how music works. When you understand the words, you only THINK it is why you appreciate the music - in actual fact, you don't increase your appreciation by knowing the words (with rare exceptions), it simply gives you an axis along which to rest your subjective perception of appreciation. If the words were such that you didn't understand their lexical meaning (as happens in a lot of white teenage lack of understanding of hip-hop slang/lyrics) the intensity of your pleasure (if measured by electrodes in your brain) WOULD NOT CHANGE AT ALL. And that's what counts - intense aesthetic appreciation.
I don't look for "ideas" from them, I look for MUSIC.
See the first paragraph of my response - this is an illusion.
Unfortunately, I'm not sure we're talking about the same thing. I do agree that words are important - for rhythm, for effects you can achieve with your voice etc., i.e. for their musical form. I just don't think that lexical meaning is an important element in the vast majority of songs - that's not where the effect comes from (with rare exceptions). Yes, you can have the illusion that it's crucial to the intensity of aesthetic pleasure, but it simply is not (as any foreigner can prove).
Look, maybe it's not that important to you. But I strongly disagree that the lyrics are superfluous to the song in all but rare cases. It simply isn't so. If it were, no one would bother to write words.
I always liked the feel of "Brick" by Ben Folds Five. I found out later it was a song about taking his girlfriend to get an abortion. I'm not an advocate for abortion, but knowning that makes the song more real to me. Knowing backgounds to songs is really key for me.