Warner Bros Movie "R&B Chick" Shot On HVX Adds To Blockbuster New Release Con

Phil Maker

Well-known member
Warner Bros Movie "R&B Chick" Shot On HVX Adds To Blockbuster New Release Con

I rented this movie last night from Blockbuster's "new release" section, and let me tell you, unequivocally, it is the worst movie I've EVER seen in my life. It was like a bad porn without the sex. It was like a bad junior high stage play without the "A" for effort. It was so bad it made me wanna kill my T.V., but then I thought 'no, don't kill the messenger'. It was so bad that I thought I was going deaf because I couldn't wrap my mind around the fact that half the audio was totally clipped beyond repair! How does a movie like this get distribution you ask? Money's a funny thing.

The new release section used to be reserved for movies that were released in the theater and were just now coming out on video. Not anymore.

In case you're just waking up from a coma, the credibility of Blockbuster's new release section has completely deteriorated over the past several years. What was once a sanctuary for great new Hollywood movies, has now become the breeding ground for every Hollywood con man "producer" who sees an opportunity to take advantage of all the oblivious passersby who step foot into the store.

Here's how the con works. Joe Sleezebag Blo scrapes up, steals or otherwise hornswaggles himself a few thou, which he uses to get a "name" actor to come in for half a day, stand in front of the camera and read six lines of his piece of sh#t script. He pays some HVX newbie small peanuts and big promises in exchange for the use of him, and all of his gear, while he pays the rest of the cast and crew no attention, never mind money.

Then he gets him a modern day slave or so called "intern" fresh out of film school to edit the piece of work in exchange for an IMDB cred. Next, he passes this Picasso off to his new buddy Johny Moneygrubber who takes and sells it directly to Blockbuster where it ends up in a slot on the wall of the coveted new release section just in time for the droves of unsuspecting cows to wander past this prime piece of real estate, see that their favorite name actor's got a new movie out and snatch it up.

Who cares if you never heard of this movie? Who cares if it never went to theaters? Who cares if your favorite name actor is only in the entire movie for a grand total of thirty seconds? (if you don't like it, just think of it as a "cameo") Who cares if this movie is the worst piece of sh#t ever made and who cares if it was made by greedy con artists who saw it not as a movie, but as a means to an end? Just plop down your four bucks and get out. And don't forget your Ju Ju Beads.

Sorry about the rant, but I'm tired of it.

And it's probably a stupid idea, but I'm doing a documentary on all this. Of course it might not get distribution through Blockbuster, but then again, who cares?
 
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Hi Phil:

I have had a couple of distribution deals with Hollywood and Blockbuster for a couple of projects. The way it works is, if you have a snappy title and the movie is in the correct genre they are looking for, I have a feeling that those videos get on the shelf without ever have been screened by anyone. They are bought from a title and packaging alone. Get the drift? Sadly, this is how the business works.

When I was shopping my last doc, you know what I was getting bumped out of deals by? Bum Fights, those stupid videos where a couple of guys were giving winos on Skid Row $20.00 to beat the snot out of each other while they videotaped it? The companies never even looked at the videos, they just looked at the sleeve and said, "this will sell". And the sick part, they did sell, although the guys who made the videos also got busted and may have even been sent down for some jail time.

That entire experience made me really question why I am in this business. There is so much crap out there, sometimes you question yourself and why you are trying to create something of worth.

Best,

Dan
 
Is this the one:

A young aspiring singer named Sterling (Christina Johnson) moves from Mississippi to Los Angeles in pursuit of her long time dream of becoming an R&B singer. Arriving in Los Angeles with nothing more than her suitcase and a dream, she is forced to sleep in her car. A chance meeting with an up and coming music producer, Nate (Dylan Mooney), opens the door to real possibilities.

Sterling begins work with the producer and befriends his girlfriend Freesia (Yvette Saunders). While her professional life seems to be taking an upswing, so does her personal life in the big city. Sterling begins to date a young handsome R&B singer, frequenting industry parties and soon marries.

Meanwhile, she strikes a lucrative record deal and is truly realizing her dream. Just weeks later, while working late in the studio with Nate, Sterling finds herself the target of attempted rape. Nate unleashes his pent up desires for Sterling in a violent episode. This experience changes the young aspiring songstress, which causes a spiritual awakening in her that soon inspires her to move toward singing for God.

sounds great.

:)
 
Phil's description of how the film was made appears to be totally accurate in terms of how they screwed the crew. See the following post- it appears to be referring to this production based on the subject matter and the name of one Christina Johnson:

http://hollywoodcrewblacklist.blogspot.com/2007/12/nu-lite-productions-christina-johnson.html

the orginal contract said 6 days, she has never paid me the gas money, she never rented the gear I needed and now she is threatening me to take away my credit (big deal) if i don't work four more days.

Can you belived this? Too bad I never signed her silly contract. Any DPs out there want to take over?

As you can imagine, this was for free, I have no one to blame but myself.

Here's what we shot so far (two lights and a very small crew):

http://www.youtube.com/watch?v=nmpabuV-Gfs


Doug,

How about these conditions. i get you nothing on that list that you
sent me, and you work with the lights that you have been given. You
give me the 4 days that we need to complete the picture, as
contracted. Or we hire another DP to complete the film and let him
take credit for your amazing photography. You have til Monday to give
me your response.
enjoy your weekend.

regards,
Christina Johnson
 
Good research dcar... yeah, these types are around every corner. Hollywood attracts them like a magnet. If there are creeps in other cities, there are 1,000 times more in L.A.
 
The flip side of the coin is that micro-budget filmmaking is what keeps some of us in business, and the direct to DVD market is a very big part of that.

The big project I'm working on now has two Hollywood b-list non-actor types, but that's what it takes to get picked up by a distro. With names, you can get the distributor to buy it before it's finished. It's a lot easier to get $50,000 in funding when you know you'll get $100,000 when you sell it.
 
The flip side of the coin is that micro-budget filmmaking is what keeps some of us in business, and the direct to DVD market is a very big part of that.

The big project I'm working on now has two Hollywood b-list non-actor types, but that's what it takes to get picked up by a distro. With names, you can get the distributor to buy it before it's finished. It's a lot easier to get $50,000 in funding when you know you'll get $100,000 when you sell it.

I know it's good for us, but what about the poor saps that have to sit through these sh#t fests? My complaint is that the system is unfair. It's set up for people who have a little bit of money and a name actor, not for people who have great stories. When the dollar bill is first, morals, values, ethics and fairness will always be second.
 
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