Barry_Green
Moderator
An early review here from someone who describes P2 as "glitchy".
Ahem.
And is wearing an "XDCAM" shirt. :thumbsup:
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An early review here from someone who describes P2 as "glitchy".
Ahem.
The only thing it doesnt do is PAL. and i kinda really wish it did.
And is wearing an "XDCAM" shirt. :thumbsup:
And is wearing an "XDCAM" shirt. :thumbsup:
Hey - mine does PAL, does yours not have this feature?
ROne
uk
A lot of people are producing great movies, documentaries and other video projects with the HVX.
Should I wait until the Sony comes out before buying the HVX? The prices might go down right?
and you'll also have the potential for rolling shutter artifacts.
I thought the whole thing was straightened out, is this the incident you are talking about marketmd?
Edit: never mind I found the thread you are talking about.
Barry - excellent comments. As a film maker of around 35+ years the only 3 criteria for us are image quality, image quality and image qu... in otherwise comparable conditions."much" superior? We'll have to see. The HVX has a proper manual zoom, and its focus is completely 100% repeatable. How much superior can the Sony's Fujinon be?
Point there; the Sony does have an aperture ring.
Better? Why?
Faster? Not really. 640mbps vs. 800mbps, they're in the same neighborhood as far as speed. The P2 card is 80% of the speed of the SxS, not exactly a huge difference.
Says who? So far the Sony cards are more expensive than the Panasonics. And that whole concept of "you can use generic cards" turned out to be a red herring; the Sony uses Sony-proprietary SxS cards and that's it.
Again, how is this a bonus for one over the other? You can use those exact same discs to archive P2 data as well if you want.
Panasonic does the exact same thing.
Not sure whether this is truly a bonus or not. CMOS in and of itself is potentially troublesome due to rolling shutter artifacts. Larger chip is better for slightly shallower DOF but it won't be a huge difference. And normally a larger chip makes a camera more light-sensitive but the CMOS chips are slower, so it'll probably net out about the same sensitivity. But I do expect a lot less noise on the Sony. And it'd better be noticeably sharper -- I mean, it has 4x as many pixels, so if it doesn't show a significant edge in sharpness then that's gonna be downright comical.
Biggest pro of the Panasonic, that you didn't list, is that the Sony costs 45% more than the Panasonic does, according to the prices listed at B&H.
The Sony also offers some other bonuses, including a sharper LCD panel (although not the flagrant lie posted in their brochure that claims 1920x480, it's actually 640x480) and variable frame rates in 1080 mode. You can get some variable frame rates in 1080 on the HVX but it's more work.
I think when you get down to it, the whole thing boils down to this: Sony's made a P2 MeToo, so they're basically directly comparable. If you pay the 45% higher price for the Sony you'll probably get sharper/crisper/less noisy video, and you'll also have the potential for rolling shutter artifacts. The card prices appear to be about the same; you can say that one is newer (but not really faster; again it's 640 vs 800) but then you could say the other one has 4 years of track record and is already heavily entrenched in the marketplace and at 300+ broadcast organizations worldwide, so... take your pick. If long-GOP space efficiency is important to you, your choice is easy. If intraframe compression and 4:2:2 are important to you, your choice is easy. If recording SD is important to you, your choice is easy.
There are tradeoffs in any decision. There are tradeoffs here too.