Ralph Oshiro
Veteran
DSR450 FRAME GRAB—SCREEN TEST FOOTAGE ONLY.
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Yes, thanks, Charli! It is--FINALLY! It was f*cking killing me--KILLING ME, waiting for weeks on end for Alejandra to come to L.A. And, stupid me, I'm like about to use this TOTALLY see-through thing I got at a medical supply place for her wardrobe, until someone says, "She's NEVER gonna wear THAT!" So, the night before the big day with Alejandra, we score the PERFECT hospital gear at UCLA-Harbor Medical Facility at 1:30AM, a mere 7.5 hours before the call time the next morning. But thank god, the first day's footage is in the can, and it's even more than I had hoped for. I thought this day would never come. Now, FINALLY, I can start shooting the rest of the short.Charli said:Ralph, looks like it's really coming along.
Thanks, Geoff! Michael Mann's climactic firefight in "HEAT" is, in my opinion, the archetype for modern cinema urban-setting gunfights. If I could ever replicate 5% of what Michael Mann did in that scene, I would be ecstatic. Stylistically, both "HEAT" and "Collateral" are two of my most favorite films. I'm even shooting at some of the same locations.Geoff_R said:This project reminds me of that gunfight in the streets of downtown LA in 'HEAT'. Looks like things are coming along real well too! Best of luck on the rest of the shoot! Keep posting grabs!
That was a bit presumptuous . . . make that 1/10th of 1%.Ralph Oshiro said:Michael Mann's climactic firefight in "HEAT" is, in my opinion, the archetype for modern cinema urban-setting gunfights. If I could ever replicate 5% of what Michael Mann did in that scene, I would be ecstatic.
Ralph Oshiro said:DIRECTOR'S NOTES FROM FIRST DAY'S PRODUCTION . . .
Well, my precious 19 minutes of raw footage has been ingested, and thankfully, everything's fine. Had an EXTREME panic attack when I thought I had rolled over some footage when I had to do some playback for the cops, but I didn't.
Thanks, bosindy! No, we didn't have any weapons at location #2--that would've been suicide! (I only use prop weapons at locations where we are fairly isolated from public view.) But when they saw an "up-skirt" shot of my actress' underwear in the playback, they got upset, and started asking everyone for their IDs (no one had theirs except me).bosindy said:Hey, Ralph, I dig your guerrilla style of film making, it takes guts to shoot that way with guns in the scene. I guess in LA the police are on guard about filmmakers shooting without a permit. You mentioned they asked to see your footage, what were they concerned about?