attar-khoje
Member
is it possible to add any external HDD in HVX to record directly while shooting rather than using P2 cards..?
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Nope.attar-khoje said:is it possible to add any external HDD in HVX to record directly while shooting rather than using P2 cards..?
It may be, if we're just looking at manufacturing costs v retail price, though I'm not sure the margins are as big as you may imagine. But business doesn't work like that, you have to somehow recoup R&D costs, and they obviously have to be factored in to the items unit price. I don't see Panasonic as "milking customers" at all, rather trying to get their development costs back, trying to make a reasonable profit, and maybe suffering from developing a technology too soon.Abaddon said:I believe it's within Panasonic's power to make a larger card at a cheeper price.
It may well be made to a very exacting standard (which is why it costs more), but the real question is what PRACTICAL benefit does that now bring? The only one I can think of is theoretically faster download times - but other limits mean that most users won't be able to benefit here anyway. And the lower price makes it possible to own more memory for the same price anyway, so the download imperative is lessened anyway.DavidBeier said:P2 is a very high quallity and professional method of shooting, perhaps more so than people on this level want or can handle.
Yes, but Infinity is aimed fair and square at the professional market, and ENG and broadcasters in particular. I was talking to a couple of other freelances yesterday, and they said that in this market what is looked for is a solution that is fast enough to edit directly off the media (no downloading), and cheap enough for a cameraman to be able to hand over his material without having to worry if he ever sees the tape/disc/card again. (As with tape now.) XDCAM is lacking in the first respect, P2 in the second. We all felt that a solution as being pioneered by Grass Valley may be just what such users want.So yeah, it wouldn't surprise me if stuff like the infinity eventually takes over the consumer and prosumer markets.
If you have an HVX200 now, then indeed it will be a viable option to use for a while to come. People are still using and making money from BetaSP, probably even U-matic! A new camera using different storage technology won't render anything existing unusable.The bottom line is that since P2 is higher quality, it'll never be useless. ............. I think the HVX200 will be a viable option for years to come and will still serve those who were willing to pay a little more to get in on an incredibly innovative and exciting new technology early on.
That is an advantage of solid state - not P2. In this respect, P2 and CF are identical, but CF has the potential advantage of far lower cost. At the moment, solid state recording does mean P2 - it's the only product available - but all this changes in a month or two in the pro world with Infinity. I fully expect the prosumer world won't be far behind, and Infinity will be the first solid state rival of many. And all cheaper than P2.OliverM said:And the biggest advantage of P2 I think, is that there are NO moving parts in the entire recording process any more.
This came up during the discussion. It may be suitable for some types of work, but their work includes such as news etc, and the general agreement was that any time delay or inconvienience involving a download was out of the question for such work. Potential advantages of solid state could be seen in general, but not P2 v CF/SD etc.As far as freelancers handing stuff over, you can always hand over an HDD, or production companies could invest in a P2 store.
Hardly a new thing - the workflow (cheap media, shoot and give away) dates back to the early U-matic days, which must be over 20 years ago now. For news especially, any time delay neccessitated by a requirement to download is very widely seen as a real problem, believe me.The only problem is that DV and DVCAM have gotten so big that many small bussinesses have gotten used to cheapo kinda workflows. This is a new thing, that requires a bit of thinking and some dialog to set the workflow. But no real problems that counterweigh the advantages I think...
harddrive said:That sums up things fairly well, David, but I will comment on a couple of things.
It may well be made to a very exacting standard (which is why it costs more), but the real question is what PRACTICAL benefit does that now bring? The only one I can think of is theoretically faster download times - but other limits mean that most users won't be able to benefit here anyway. And the lower price makes it possible to own more memory for the same price anyway, so the download imperative is lessened anyway.
CF has been extensively used for press photography in the most demanding conditions for a long time now, and I've heard no complaints about reliability.
If you simply want a parcel delivered, does it make sense to pay four/five times as much to have it delivered by a sports car as a van, all else equal? Especially when speed limits mean that each will take about the same length of time anyway?
But I think you have to be careful when you say "since P2 is higher quality". I know what you mean, but the video recorded won't be any higher quality - that depends on bitrate and codec (and obviously the camera front end!), not whether it's P2, CF, SD or even XDCAM.
If you have $X to spend on memory, and need to record Y minutes of material, then all else equal you will get more than 4x as many GB for your $X with a CF solution as with P2! That could equate to a far, far higher bitrate possible with CF than P2. So CF could equate to higher quality video than P2!
I'll agree with the underlying sentiment, but I don't see CF ever being used to record DVCProHD. Not because it can't cope with it, but because it's an old codec, and the general trend is seen as towards more advanced ones for new gear, AVC-Intra in the case of Panasonic.DavidBeier said:Let's wait and see how well CF handles DVCProHD and do some serious testing.
That's theoretically possible of course, but I feel highly unlikely. All of a sudden, even the largest P2 cards only last 4 minutes, and the still to come 16GB ones will only last for 8. The move seems to be towards more efficient codecs as well, and AVC-Intra at 50Mbs is flagged for Panasonics forthcoming HPC2000, with comparable quality to DVCProHD. I wouldn't be too surprised to hear of a 100Mbs AVC-Intra option, but 200Mbs seems unlikely.If CF as a 166mbs transfer rate and P2 has a 640mbs then P2 is capible of a higher quality codec. What if a new DVCPro200 codec comes out that not only manages 4:4:4 color space and runs at 200mbs? Suddenly CF isn't going to work but P2 will still be a viable option. This is why they may be viable for the pro industry in the future.
I don't think you can exactly define the specs of either of them, in the same way that you can't MPEG2. They define a family more than an individual, a method of compression rather than a precise colour space, bitrate etc.DavidBeier said:Out of curiosity, what exactly are the specs of AVC-Intra and JPEG2000? What kind of color compression are we talking and is there interframe encoding going on?
Fair enough in principle, but if any requirement for 4:4:4 and/or less compression meant higher storage requirements, then maybe such as CF may better suit than P2 as the cost/GB is so vastly lower? CF may actually be MORE viable for low compression systems than P2.I don't know how much is lost using other codecs but there are many who feel that the less compression the better. That's why Michael Mann for instance was so hot on the Viper since he was getting strait 4:4:4 out of the camera.
I don't think that assumption is right. They did indeed choose to specify only top end chips, etc etc, but I understand that was simply because it was the only way it could work at all AT THE TIME IT WAS CONCEIVED. That's not true any more due to technical advance, and I doubt strongly they'd go down the same path if they were starting to develop it now. But hindsight is a wonderful thing.The case however is that Pansonic chose to go with as much quality as possible with the recording medium and I can only assume that they did so because some felt it was neccesary for future proof. Once again, time will tell whether or not they were right.
I answered:DavidBeier said:What if a new DVCPro200 codec comes out that not only manages 4:4:4 color space and runs at 200mbs? Suddenly CF isn't going to work but P2 will still be a viable option.
It's just been pointed out to me that CF should already be more than adequate for what David suggests. Not in the Extreme III variant, and so far only as a 8GB max size, but look at: http://www.sandisk.com/Products/Item(1997)-SDCFX4-8192-SanDisk_Extreme_IV_CompactFlash_8GB.aspx .harddrive said:Maybe by the time somebody really does have a need for a 200Mbs solution, CF speeds will be more than adequate, maybe even rivalling P2 !?!
DavidBeier said:I with an P2 version of the SDX900 already around and a P2 version of the HDX900 on its way, .
SymphonicFilmworks said:C'mon hackers, you made the XBOX into a super-cheap, mean entertainment machine... hell, even a Linux webserver! Think of what you could do with a HD beast such as the HVX!!!!
Kevin