Vidular
Member
I will be recording a loud progressive rock band in a small club. Will be using a Shure SM57 to capture in front of speakers, wireless 100-G2 for vocalist (both feeding into the DVX100B). I also have a Zoom H4 and expect to use the built in stereo mics out in front of the band near the audience. The H4 mic can also emulate a Shure SM57. Is the H4 SM57 emulation the best choice in this situation? Or would another emulation (C414) or no emulation help add some dimension to the recording? I suppose the basic question is about the trade offs between microphone consistency versus variety when mixing multiple tracks of rock music audio. Your experience and advice is appreciated.