Geosch
Member
Some have embraced the double-system DSLR thing, and others have tried to avoid the workflow... I work on documentary shoots a lot, and I've been able to avoid double-system up until recently (we usually send sound from the mixer straight to Varicam or similar camera). I finally had to cave in - but I didn't have to spend another $3K on gear I'll rarely use.
For DSLR shoots, I've actually been using my Zaxcom Stereo Wireless transmitter alone for timecode-based sound recording (with slate), and with the firmware that was released earlier this year, it's actually fully functional. If you have the Zaxcom and use it as a camera hop, you might be interested in checking out the entry I just posted:
http://www.boycottmedia.com/2011/08/zaxcom-double-system-or-how-i-learned-to-stop-worrying-and-almost-love-dslr
For DSLR shoots, I've actually been using my Zaxcom Stereo Wireless transmitter alone for timecode-based sound recording (with slate), and with the firmware that was released earlier this year, it's actually fully functional. If you have the Zaxcom and use it as a camera hop, you might be interested in checking out the entry I just posted:
http://www.boycottmedia.com/2011/08/zaxcom-double-system-or-how-i-learned-to-stop-worrying-and-almost-love-dslr