Michael Williams
New member
Hey everyone two questions:
1)
I have been looking at DSLR shoulder rigs for the past few months, researching and so on.
I've come across a rig that looks fairly suited to build off of (add monitor, FF, the usual), but I can't find much - if any - rep on the website or builder.
Compared to most, the construction looks heavy duty and efficient. (I'd rather deal with clumsily manufactured, compared to flimsy and prone to breaking).
It's called the Xfactor1 and I'll provide a link:
http://xfactor1blog.wordpress.com/products-2/xf-1/
SERIOUSLY, has anyone purchased one of these and if so, what do you think?
At this point, any help would be appreciated with this; I am on a tight budget, so please don't suggest I just go blow 4K on a full RedRock setup. Not happening!
2)
I've also had a serious lens debate over which WA lens I'd use for my DSLR filmmaking.
i've been stuck between two Tokinas: 11-16 vs 12-24.
The 11-16 has a 2.8 f-stop, the 12-24 has a 4.0 f-stop.
The price differential is about $250 or so and I'm wondering if those extra few stops are going to make that significant of a difference when put into effect in the field.
Thanks everyone!
1)
I have been looking at DSLR shoulder rigs for the past few months, researching and so on.
I've come across a rig that looks fairly suited to build off of (add monitor, FF, the usual), but I can't find much - if any - rep on the website or builder.
Compared to most, the construction looks heavy duty and efficient. (I'd rather deal with clumsily manufactured, compared to flimsy and prone to breaking).
It's called the Xfactor1 and I'll provide a link:
http://xfactor1blog.wordpress.com/products-2/xf-1/
SERIOUSLY, has anyone purchased one of these and if so, what do you think?
At this point, any help would be appreciated with this; I am on a tight budget, so please don't suggest I just go blow 4K on a full RedRock setup. Not happening!
2)
I've also had a serious lens debate over which WA lens I'd use for my DSLR filmmaking.
i've been stuck between two Tokinas: 11-16 vs 12-24.
The 11-16 has a 2.8 f-stop, the 12-24 has a 4.0 f-stop.
The price differential is about $250 or so and I'm wondering if those extra few stops are going to make that significant of a difference when put into effect in the field.
Thanks everyone!





