when working with 30P (and 25P for PAL people) do you work in a 60i or 30P environment in premiere?
both will work, but which is best?
does premiere convert the 30P footage (which is stored as 60i) on tape to 30P automatically if i capture into a 30P project? if so how?
or should i just work with a convetional 60i preset and simply introduce a de-interlace filter as a pre-encoding task in Adobe Media encoder? so my final output .wmv file has 30P restored.
any help would be appreciated.
both will work, but which is best?
does premiere convert the 30P footage (which is stored as 60i) on tape to 30P automatically if i capture into a 30P project? if so how?
or should i just work with a convetional 60i preset and simply introduce a de-interlace filter as a pre-encoding task in Adobe Media encoder? so my final output .wmv file has 30P restored.
any help would be appreciated.