Hattori_Hanzo
New member
So, I am still waiting for the camera to be coming my way. I just thought I might fool around with the color correction a little bit. So I go grab someone's footage from the net, in this case Mcgregor's clip (which I very much like) found here:
http://personales.ya.com/elfabrica/test.similo.mov
Ok, so the clip is compressed (using sorenson 3 I guess) at dimensions (says my getinfo) of 600 by 280. Nevermind the fact that it is a small resolution to play with.
I import it on my timeline (regular 48hz DV settings) and right when I drop it, it turns red, meaning I have to render it, and at a somewhat around 20 min. render time.
I've tried many different settings (24p, 23.98, a custom 600x280 environnement) but still have a long render time ahead of any possible color correcting work.
So I guess my question is, is there a way of working on such processed footage in such a way as to not have to render it first? This might at the same time expand my understanding of FCP. Sorry if I am totally meaningless and naive.
http://personales.ya.com/elfabrica/test.similo.mov
Ok, so the clip is compressed (using sorenson 3 I guess) at dimensions (says my getinfo) of 600 by 280. Nevermind the fact that it is a small resolution to play with.
I import it on my timeline (regular 48hz DV settings) and right when I drop it, it turns red, meaning I have to render it, and at a somewhat around 20 min. render time.
I've tried many different settings (24p, 23.98, a custom 600x280 environnement) but still have a long render time ahead of any possible color correcting work.
So I guess my question is, is there a way of working on such processed footage in such a way as to not have to render it first? This might at the same time expand my understanding of FCP. Sorry if I am totally meaningless and naive.